https://www.imagesandshadows.org/contributors daily 1.0 2021-08-13 https://static1.squarespace.com/static/5f8f7f3c1cc9636b63ebed3a/t/604aadc5ccdcae6ee357522c/1615506885553/ Contributors - PENNY HARRIS / The experience of looking at small metal finds from the Paphos theatre site, and remnants of slag from foundries, was a pivotal moment for me as a sculptor. I remember particularly a pot discovered with bones and rags near the old terebinth tree in the centre of the theatre… READ MORE Mop, 2013, bronze, from the exhibition ‘The Petrified Poem’, King’s Cross, 28 x 26 x 4 cm. Photo: Rowan Conroy. https://static1.squarespace.com/static/5f8f7f3c1cc9636b63ebed3a/t/604aaf36ae06a97845cada6d/1615507254496/ Contributors - STEPHEN INGHAM / For the 2006 project Sonic architectures: mapping the ancient theatre in image and sound Stephen Ingham took the scanned rubbings of the theatre textures as a starting point, to create sound textures through merging innovative computer programs with musical thinking. He composed Akou in 2006. While the fields of electroacoustic composition and spatialised sound diffusion are not in themselves new, the composer’s ability to harness recent digital technologies to generate and spatially diffuse sound output from vast quantities of scanned (or otherwise derived) data - sonification – has emerged as an exciting field of creative investigation… CLICK HERE TO HEAR ‘AKOU’ COMPOSITION AND READ MORE Image of Stephen Ingham’s sound piece derived from scanned textures of the Paphos ancient theatre: Akou, 2006. Duration 12.57 minutes. From the exhibition Travellers from Australia, exhibited at the Pailia Ilektriki, Ktima Pafos, Cyprus, 2-15 October, as part of the official program of the Pafos2017 European Capital of Culture. Photo: Shelley Webster 2017. https://static1.squarespace.com/static/5f8f7f3c1cc9636b63ebed3a/t/604aafbcccdcae6ee35782e3/1615507388059/ Contributors - GEOFF STENNETT / Since graduating with a Bachelor of Architecture from the University of Technology Sydney, Geoff Stennett has worked on a wide range of architectural building types, acquiring a broad knowledge of both the architectural profession and construction industry, with expertise in all facets of building design and on-site construction procedures. Since its first beginnings in 1996, he has been the supervising architect for the Paphos Theatre Archaeological Project. Since then, Geoff has seen an ever increasing uptake in the use of digital technologies at the excavation… READ MORE Hypothetical reconstruction of the Paphos Theatre. Aerial view from north west. https://static1.squarespace.com/static/5f8f7f3c1cc9636b63ebed3a/t/604ae87352ef6143a42d68f1/1615521750552/ Contributors - DIANA WOOD CONROY / In 1996, with great excitement I renewed connections with my training as a classical archaeologist, joining the University of Sydney dig at the ancient theatre at Pafos through the invitation of my early lecturer Richard Green. The Hellenistic-Roman Cypriot past became my living present and began to permeate my artwork and writing. Classical elements converged with Australian themes in my tapestries and paintings. Archaeology, with its intricate and humble devotion to the minutiae of unearthing buildings and objects claimed me again, so that I could bring to life the work of the fresco painters of the Pafos theatre… READ MORE Flower and tendrils, 1998, gouache drawing of fresco from ceiling of parados of the Pafos theatre, 29.8 x 19.1 cm. From the exhibition Travellers from Australia, exhibited at the Pailia Ilektriki, Ktima Pafos, Cyprus, 2-15 October, as part of the official program of the Pafos2017 European Capital of Culture. https://static1.squarespace.com/static/5f8f7f3c1cc9636b63ebed3a/t/604aaea06b9b7f4cc2402d70/1615507104236/ Contributors - ANGELA BRENNAN / When it was explained to me that the ancient Hellenistic-Roman theatre of Nea Pafos took 21 years to uncover, in my mind I immediately covered it up again, trying to imagine the labour and thrill involved in unearthing such a wonder! This beautiful stepped, curving structure is the centrepiece of the archaeological precinct by the sea; it sets the scene for ancient detail—the little pieces of mosaic wedged in between and slivers of pigment clinging on (just) to vertical surfaces. These fragments meander further afield, both physically and metaphorically, to linger longer and re-appear in diverse contexts, from Cyprus to my studio… READ MORE Fourteen pots, 2016-2017, stoneware, dimensions variable https://static1.squarespace.com/static/5f8f7f3c1cc9636b63ebed3a/t/604d7a660400c667679667ef/1615507360732/ Contributors - GUY HAZELL / Guy Hazell has always been interested in what can be seen through the lens and spent his 20s travelling the world photographing what he saw. Eventually this love of the lens and film lead him to open an Art-house video and DVD store specialising in foreign language and independent cinema. In the 1980s he started his own video distribution label releasing such films as: Jean Cocteau’s La Belle et La Bête and Orphée, Jean Renoir’s La Règle du Jeu, Luis Buñuel’s Un Chien Andalou and Pasolini’s version of Euripides’ Medea. In 2008 Guy decided to change direction and re-train his love of the lens to become an archaeological surveyor… Orthophoto of the ancient theatre of Nea Pafos, 2015, digital media. https://static1.squarespace.com/static/5f8f7f3c1cc9636b63ebed3a/t/605937278c4edd60b1499da9/1615507304714/ Contributors - BROGAN BUNT / Working to reveal layers of spatial and narrative imagery was part of my artistic exploration in digital media. I participated in the project Sonic Architectures: Mapping the ancient theatre in image and sound (Diana Wood Conroy, Brogan Bunt, Diane Epoff, Stephen Ingham) at the University of Wollongong in 2006, which asked how an understanding of the ancient theatre might give contemporary artists new imaginative insights in working at the cutting edge of electronic technologies. By discovering the parameters of visual and sonic (acoustic) mapping of the ancient theatre in the University of Wollongong team at the Paphos theatre we tried to construct a cross-disciplinary alliance across the senses of sight, sound and touch. I devised a multimedia work to provide virtual navigable access to two Paphos archaeological sites, Panagia Chrysopolitissa and the ancient theatre… READ MORE Chrysopolitissa, 2006, digital image from multimedia project https://static1.squarespace.com/static/5f8f7f3c1cc9636b63ebed3a/t/605952236eec526deb9c15b5/1616466467046/ Contributors - BOB MILLER / What difference does digital photography bring to the archaeological process? Reflecting on my own practice, which began in analogue photography with film cameras and dark rooms, I explore the new techniques that digital photography has contributed to the archaeological process. My photographs combine visual exploration of actual sites and objects with original research into techniques and approaches. By remembering the primary role of archaeological photography historically, I investigate the contemporary relationship between artefact, site and image… READ MORE Pafos Theatre, 2012, infra red photograph https://static1.squarespace.com/static/5f8f7f3c1cc9636b63ebed3a/t/605a821bbe59540bfda25a57/1616544283661/ Contributors - DIANE EPOFF GOODMAN / This work considers digital photography as an innovative tool that invokes a partnership between scientific (outer) and artistic (inner) modes of enquiry to reveal new ways of reading site, remembering place and interpreting presence. Digital photographic processes are both systematic and fluid, facilitate play, improvisation and new ways of perceiving the world. The work explores the capacity to stitch, layer, blend, variegate, transform and re-contextualise photographic images... READ MORE Map of the Paphos Theatre 2007, Detail, Roman Tunnel. https://static1.squarespace.com/static/5f8f7f3c1cc9636b63ebed3a/t/605d74ef67ae086028c53ed1/1616737519683/ Contributors - HANNAH GEE / Animation is for me, the physical, material perception of time. My practice integrates traditional sculptural processes and digital media with stop-motion animation and projection installation. Focusing on museum objects and ancient iconography, human perceptions of time inform the material and conceptual foundation for my work, where ancient lives are reimagined through a contemporary medium. As objects that are simultaneously fixed in time, yet traverse time and space by being preserved and reimagined, objects from antiquity are particularly interesting to animate… SEE HANNAH’S ANIMATIONS FROM THE SITE & READ MORE HERE Winking Fragment, 2017, looped animation still. From the exhibition Travellers from Australia, exhibited at the Pailia Ilektriki, Ktima Pafos, Cyprus, 2-15 October, as part of the official program of the Pafos2017 European Capital of Culture. https://static1.squarespace.com/static/5f8f7f3c1cc9636b63ebed3a/t/605d7651526d8864d10f5012/1615506990336/ Contributors - ROWAN CONROY / I first attended the Paphos theatre excavations in 1996 at the age of fourteen. I went on to attend the dig in 1997, 2001, 2002 & 2006. Being exposed to archaeology and Cyprus at an impressionable age has had a lasting and profound impact artistically and academically. In 1997 I worked with the site photographer, Bob Miller. I recall the guerrilla darkroom, constructed in a dilapidated farm building, leaky and mouldy. This was combined with the magical results of analogue photography - a fantastic memory to have and a formative experience… SEE ROWAN’S FOOTAGE OF THE SITE & READ MORE HERE Pafos theatre, full moon, April 2006, pigment inkjet print on cotton rag (from digitised 4x5 film positive) 90 x 114 cm. From the exhibitions Travellers from Australia, exhibited at the Pailia Ilektriki, Ktima Pafos, Cyprus, 2-15 October, as part of the official program of the Pafos2017 European Capital of Culture; and Sightseeing, Goulburn Regional Art Gallery, 12 July - 7 September, 2019. https://static1.squarespace.com/static/5f8f7f3c1cc9636b63ebed3a/t/605d76bcb487005be5c1e929/1615507129038/ Contributors - LAWRENCE WALLEN / Through my recent research, and its fragile representations, I propose the possibility of comprehending the relationship between material landscapes and the immaterial and in-visible spiritual, psychological and intellectual landscapes created through the artist’s gaze. This desired conjunction forms the conceptual and visual basis of my recent work, arguing that the particular and unique alignment of material and immaterial landscapes form a sequence of dual spaces… READ MORE Co-located structures (2017), Charcoal Tempera on Paper, 598cm x 63cm. From the exhibition Travellers from Australia, exhibited at the Pailia Ilektriki, Ktima Pafos, Cyprus, 2-15 October, as part of the official program of the Pafos2017 European Capital of Culture. Photo: Shelley Webster 2017. https://static1.squarespace.com/static/5f8f7f3c1cc9636b63ebed3a/t/605d75c92c07602a6cec66dc/1615506944094/ Contributors - JACKY REDGATE / I was inspired to return to the image of a cot/bed in my early artwork when, in October 2010, I went on a research trip to Cyprus as part of the University of Wollongong Senior Artists’ Research Forum. My epiphany in Cyprus, where I first visualised the domestic cot/bed as an archive, built on my early interest in grids, inventories and taxonomies. This process was particularly useful as a critical strategy and fitted with my life-long preoccupation with ordering and systems… READ MORE Installation photograph of Jacky Redgate’s works: (left) Light Throw (Mirrors) No. 1, 2009; and (right) Mirror, 2010. From the exhibition Travellers from Australia, exhibited at the Pailia Ilektriki, Ktima Pafos, Cyprus, 2-15 October, as part of the official program of the Pafos2017 European Capital of Culture. Photo: Shelley Webster, 2017. https://static1.squarespace.com/static/5f8f7f3c1cc9636b63ebed3a/t/60948c02628ff833ebf01bd8/1620347906123/ Contributors - DEREK KRECKLER / Photographing the Corinthian capitals in the Chryssopolitissa basilica for archaeological comparison with the Paphos Theatre site was both joyful and informative. Archaeological methodologies require precise measurements of varied forms that, in turn, mix the past with the present by revealing everyday things from this remarkable world-heritage listed place: "a theatre used for performance and entertainment for over six and a half centuries (c.300 BC to the late fourth century AD). At its maximum extent during the Antonine Emperors of the second century AD, the theatre could seat more than 8500 spectators…” (1) READ MORE Detail of Capitals, numbers 1-8 from Basilica Chrysopolitissa, 2010-2011. From the documentation of Corinthian capitals in the Pafos theatre, in Basilica Chryssopolitissa and in Apollo Hotel store. Digital photography on Baryta paper, 32 x 42 cm. From the exhibition Travellers from Australia, exhibited at the Pailia Ilektriki, Ktima Pafos, Cyprus, 2-15 October, as part of the official program of the Pafos2017 European Capital of Culture. Photo: Shelley Webster, 2017. https://static1.squarespace.com/static/5f8f7f3c1cc9636b63ebed3a/t/6115ef88f0e9896832e00a51/1616128456807/ Contributors - AMANDA DUSTING / Amanda Dusting originally trained as a painter and filmmaker at Newcastle College of Advanced Education and then the University of Technology Sydney and was the recipient of two grants from the Australian Film Commission to make short animated and live-action films. But Dusting had always really wanted to be an archaeologist. She got that opportunity through volunteering on archaeological excavations in Jordan and from 1996 at the University of Sydney’s Paphos Theatre Archaeological Project where she became an archaeological illustrator… READ MORE Film still from the video Paphos Archaeological Excavations 1998-2006, 2017. From the exhibition Travellers from Australia, exhibited at the Pailia Ilektriki, Ktima Pafos, Cyprus, 2-15 October, as part of the official program of the Pafos2017 European Capital of Culture. https://www.imagesandshadows.org/jacky-redgate-statement daily 0.75 2021-05-07 https://static1.squarespace.com/static/5f8f7f3c1cc9636b63ebed3a/5f8fab76ec2c7529f2847b57/5fab4f45652bfb55dc721f3e/1616737698471/Redgate-Jacky+Redgate+Mirror.jpg Jacky Redgate Mirror, C-Type photograph, 2010, circa 45 x 45 cm. From the exhibition Travellers from Australia, exhibited at the Pailia Ilektriki, Ktima Pafos, Cyprus, 2-15 October, as part of the official program of the Pafos2017 European Capital of Culture. https://static1.squarespace.com/static/5f8f7f3c1cc9636b63ebed3a/5f8fab76ec2c7529f2847b57/5f9778ec3ee3212d16915b84/1615506944094/IMG_8260_resized.jpg Jacky Redgate - JACKY REDGATE / I was inspired to return to the image of a cot/bed in my early artwork when, in October 2010, I went on a research trip to Cyprus as part of the University of Wollongong Senior Artists’ Research Forum. My epiphany in Cyprus, where I first visualised the domestic cot/bed as an archive, built on my early interest in grids, inventories and taxonomies. This process was particularly useful as a critical strategy and fitted with my life-long preoccupation with ordering and systems… READ MORE Installation photograph of Jacky Redgate’s works: (left) Light Throw (Mirrors) No. 1, 2009; and (right) Mirror, 2010. From the exhibition Travellers from Australia, exhibited at the Pailia Ilektriki, Ktima Pafos, Cyprus, 2-15 October, as part of the official program of the Pafos2017 European Capital of Culture. Photo: Shelley Webster, 2017. https://static1.squarespace.com/static/5f8f7f3c1cc9636b63ebed3a/5f8fab76ec2c7529f2847b57/5f90d52ff04d99158a6e5ca5/1616737737972/Jacky+Redgate_Light-Throw-Mirrors+-1_2009.jpg Jacky Redgate Light Throw (Mirrors) No.1, 2009, studio photograph 127 x 158 cm. Collection Art Gallery of New South Wales, Sydney; Wollongong University Gallery, NSW; Griffith Art Collection, QLD; Sydney Gallery, NSW. From the exhibition Travellers from Australia, exhibited at the Pailia Ilektriki, Ktima Pafos, Cyprus, 2-15 October, as part of the official program of the Pafos2017 European Capital of Culture. https://static1.squarespace.com/static/5f8f7f3c1cc9636b63ebed3a/5f8fab76ec2c7529f2847b57/5f8fad72aee726795742f752/1603327197703/Jacky+Redgate_Light-Throw-Mirrors+-1_2009.jpg Jacky Redgate - JACKY REDGATE / Light Throw (Mirrors) No.1, 2009, studio photograph 127 x 158 cm. Collection Art Gallery of New South Wales, Sydney; Wollongong University Gallery, NSW; Griffith Art Collection, QLD; Sydney Gallery, NSW. Jacky Redgate has produced a remarkable body of work in photography and sculpture, held in all significant national collections, combining abstraction and a mask of mirrors, often in association with timeless typologies of objects. She travelled to Cyprus to the Paphos theatre excavation in 2010. She is a Senior Lecturer Visual Arts, University of Wollongong, NSW, Australia. www.arcone.com.au/jacky-redgate-artist-profile/ READ MORE https://static1.squarespace.com/static/5f8f7f3c1cc9636b63ebed3a/5f8fab76ec2c7529f2847b57/5f8fabeff741391bbbf739f1/1603327243483/1.%C2%A9Jacky+Redgate%2C+cotbed+drawing+.jpg Jacky Redgate Cot/ bed drawing, 2010, graph paper, pencil and coloured pencil, 20.9 x 29.5 cm https://static1.squarespace.com/static/5f8f7f3c1cc9636b63ebed3a/t/5f92136d5834414aa1422f99/1604018447130/Jacky+Redgate_Light-Throw-Mirrors+-1_2009.jpg Jacky Redgate Installation photograph of Jacky Redgate’s works (left) Light Throw (Mirrors) No. 1, 2009, and (right) Mirror, 2010. From the exhibition Travellers from Australia, exhibited at the Pailia Ilektriki, Ktima Pafos, Cyprus, 2-15 October, as part of the official program of the Pafos2017 European Capital of Culture. Photo: Shelley Webster, 2017. https://www.imagesandshadows.org/selected-texts daily 0.75 2021-05-14 https://www.imagesandshadows.org/angela-brennan-statement daily 0.75 2021-08-13 https://static1.squarespace.com/static/5f8f7f3c1cc9636b63ebed3a/t/5f9218d9e062dd255f0a5447/1607485796214/IMG_8123_ed_resized.jpg Angela Brennan Installation photograph of Angela Brennan’s works from the exhibition Travellers from Australia, exhibited at the Pailia Ilektriki, Ktima Pafos, Cyprus, 2-15 October, as part of the official program of the Pafos2017 European Capital of Culture. Photo: Shelley Webster, 2017. https://static1.squarespace.com/static/5f8f7f3c1cc9636b63ebed3a/5f8f84f037fbb5117b549b21/5f9b62cedf224e395fd66288/1604018991831/IMG_8123_ed_resized.jpg Angela Brennan Installation photograph of Angela Brennan’s works from the exhibition Travellers from Australia, exhibited at the Pailia Ilektriki, Ktima Pafos, Cyprus, 2-15 October, as part of the official program of the Pafos2017 European Capital of Culture. Photo: Shelley Webster, 2017. https://static1.squarespace.com/static/5f8f7f3c1cc9636b63ebed3a/5f8f84f037fbb5117b549b21/5f8f88216306f313c1a6aa13/1603249421145/Angela-Brennan_Pot-Jug-Figure_2014.jpg Angela Brennan Pot with one coloured foot, Jug with two handles, Figure (left to right), 2014, stoneware, dimensions variable https://static1.squarespace.com/static/5f8f7f3c1cc9636b63ebed3a/5f8f84f037fbb5117b549b21/5f8f881d8ae7d14ee51aa606/1615507104236/Angela-Brennan_Fourteen-Pots_2016-2017.jpg Angela Brennan - ANGELA BRENNAN / When it was explained to me that the ancient Hellenistic-Roman theatre of Nea Pafos took 21 years to uncover, in my mind I immediately covered it up again, trying to imagine the labour and thrill involved in unearthing such a wonder! This beautiful stepped, curving structure is the centrepiece of the archaeological precinct by the sea; it sets the scene for ancient detail—the little pieces of mosaic wedged in between and slivers of pigment clinging on (just) to vertical surfaces. These fragments meander further afield, both physically and metaphorically, to linger longer and re-appear in diverse contexts, from Cyprus to my studio… READ MORE Fourteen pots, 2016-2017, stoneware, dimensions variable https://static1.squarespace.com/static/5f8f7f3c1cc9636b63ebed3a/5f8f84f037fbb5117b549b21/5f8f881c4949d5779c45c155/1603249430985/Angela-Brennan_Figure-from-Santa-Prudenza_2016.jpg Angela Brennan Figure from Santa Prudenza, Rome, 2016, conte on paper, 35 x 25 cm https://www.imagesandshadows.org/penny-harris-statement daily 0.75 2020-12-09 https://static1.squarespace.com/static/5f8f7f3c1cc9636b63ebed3a/t/5f922282bb7aa672e9808a9a/1607485833927/Penny-Harris_Mop_2013.jpg Penny Harris Penny Harris, Mop, 2013, from the exhibition Travellers from Australia, exhibited at the Pailia Ilektriki, Ktima Pafos, Cyprus, 2-15 October, as part of the official program of the Pafos2017 European Capital of Culture. Photo: Rowan Conroy. https://static1.squarespace.com/static/5f8f7f3c1cc9636b63ebed3a/5f8f808a8e6479701b448625/604aac395a66f9393fe8e3c4/1615506844229/IMG_8009_ed_resized.jpg Penny Harris Untitled (Fillet series), 2017, 0.9 m x 1.3 m x 0.3 m, bronze. From the exhibition Travellers from Australia, exhibited at the Pailia Ilektriki, Ktima Pafos, Cyprus, 2-15 October, as part of the official program of the Pafos2017 European Capital of Culture. Photo: Shelley Webster, 2017. https://static1.squarespace.com/static/5f8f7f3c1cc9636b63ebed3a/5f8f808a8e6479701b448625/5f9b5d43a631181cf2095c67/1604017594411/IMG_8064_ed_1_resized.jpg Penny Harris Installation photograph of Penny Harris’ work from the exhibition Travellers from Australia, exhibited at the Pailia Ilektriki, Ktima Pafos, Cyprus, 2-15 October, as part of the official program of the Pafos2017 European Capital of Culture. Photo: Shelley Webster, 2017. https://static1.squarespace.com/static/5f8f7f3c1cc9636b63ebed3a/5f8f808a8e6479701b448625/5f8f82e38ae7d14ee519d645/1613968861459/_RMC1077.jpg Penny Harris Untitled (Fillet series), 2017, bronze, 0.9 m (H) X 1.3 m (W) x 0.3 m (D). Photo: Rowan Conroy. https://static1.squarespace.com/static/5f8f7f3c1cc9636b63ebed3a/5f8f808a8e6479701b448625/5f8f82bf3f2fd91c42764e3b/1603413408497/_RMC0943.jpg Penny Harris Brush, 2013, 19 x 7 x 9 cm. Photo: Rowan Conroy. https://static1.squarespace.com/static/5f8f7f3c1cc9636b63ebed3a/5f8f808a8e6479701b448625/5f8f82bf0ace717f5025bed8/1615506885553/_RMC0933.jpg Penny Harris - PENNY HARRIS / The experience of looking at small metal finds from the Paphos theatre site, and remnants of slag from foundries, was a pivotal moment for me as a sculptor. I remember particularly a pot discovered with bones and rags near the old terebinth tree in the centre of the theatre… READ MORE Mop, 2013, bronze, from the exhibition ‘The Petrified Poem’, King’s Cross, 28 x 26 x 4 cm. Photo: Rowan Conroy. https://static1.squarespace.com/static/5f8f7f3c1cc9636b63ebed3a/5f8f808a8e6479701b448625/5f8f81b8a0491a14cad1ad34/1603240424526/Penny-Harris_Brush_2013.jpg Penny Harris https://www.imagesandshadows.org/rowan-conroy-statement daily 0.75 2021-03-05 https://static1.squarespace.com/static/5f8f7f3c1cc9636b63ebed3a/5f8f8f30b3ac5d2f632c0784/6042c26b96479c7adc539dca/1614988095836/2019_RowanConroy_Sightseeing_18.jpg Rowan Conroy Installation view of Conroy’s Paphos works from the solo exhibition Sightseeing, Goulburn Regional Art Gallery, 12 July - 7 September, 2019. More of Conroy’s works from Sightseeing can be viewed here. https://static1.squarespace.com/static/5f8f7f3c1cc9636b63ebed3a/5f8f8f30b3ac5d2f632c0784/5f9b5b11aaa8cc761bc0fcb1/1604017228225/IMG_9463_ed+WB_resized.jpg Rowan Conroy Installation photograph of Rowan Conroy’s works from the exhibition Travellers from Australia, exhibited at the Pailia Ilektriki, Ktima Pafos, Cyprus, 2-15 October, as part of the official program of the Pafos2017 European Capital of Culture. Photo: Shelley Webster, 2017. https://static1.squarespace.com/static/5f8f7f3c1cc9636b63ebed3a/5f8f8f30b3ac5d2f632c0784/5f8f911a050bd23a7f8057ba/1616737873185/Rowan-Conroy_Paphos-theatre_pottery-sorting-table_Apollo-Hotel_April-2006.jpg Rowan Conroy Pottery sorting table, Apollo Hotel, Pafos theatre excavations, April 2006, pigment inkjet print on cotton rag (from digitised film positive), 90 x 114 cm. From the exhibitions Travellers from Australia, exhibited at the Pailia Ilektriki, Ktima Pafos, Cyprus, 2-15 October, as part of the official program of the Pafos2017 European Capital of Culture; and Sightseeing, Goulburn Regional Art Gallery, 12 July - 7 September, 2019. https://static1.squarespace.com/static/5f8f7f3c1cc9636b63ebed3a/5f8f8f30b3ac5d2f632c0784/5f8f91066ca96f746068e102/1616737863677/Rowan-Conroy_Paphos-theatre+cavea_ful-moon_April-2006.jpg Rowan Conroy Pafos theatre cavea, full moon, April 2006, pigment inkjet print on cotton rag (from digitised film positive), 90 x 114 cm. From the exhibition Travellers from Australia, exhibited at the Pailia Ilektriki, Ktima Pafos, Cyprus, 2-15 October, as part of the official program of the Pafos2017 European Capital of Culture. https://static1.squarespace.com/static/5f8f7f3c1cc9636b63ebed3a/5f8f8f30b3ac5d2f632c0784/5f8f9106668908430a20e962/1615506990336/Rowan-Conroy_Pafos-theatre-full-moon-April+2006.jpg Rowan Conroy - ROWAN CONROY / I first attended the Paphos theatre excavations in 1996 at the age of fourteen. I went on to attend the dig in 1997, 2001, 2002 & 2006. Being exposed to archaeology and Cyprus at an impressionable age has had a lasting and profound impact artistically and academically. In 1997 I worked with the site photographer, Bob Miller. I recall the guerrilla darkroom, constructed in a dilapidated farm building, leaky and mouldy. This was combined with the magical results of analogue photography - a fantastic memory to have and a formative experience… SEE ROWAN’S FOOTAGE OF THE SITE & READ MORE HERE Pafos theatre, full moon, April 2006, pigment inkjet print on cotton rag (from digitised 4x5 film positive) 90 x 114 cm. From the exhibitions Travellers from Australia, exhibited at the Pailia Ilektriki, Ktima Pafos, Cyprus, 2-15 October, as part of the official program of the Pafos2017 European Capital of Culture; and Sightseeing, Goulburn Regional Art Gallery, 12 July - 7 September, 2019. https://static1.squarespace.com/static/5f8f7f3c1cc9636b63ebed3a/5f8f8f30b3ac5d2f632c0784/5f8f900f6239e53ac2d34240/1603244051941/Rowan-Conroy_Pafos-theatre-cavea_2006.jpg Rowan Conroy https://static1.squarespace.com/static/5f8f7f3c1cc9636b63ebed3a/t/5f922ab0fe44af57cb085f27/1614987643291/Rowan-Conroy_Paphos-theatre_pottery-sorting-table_Apollo-Hotel_April-2006.jpg Rowan Conroy Rowan Conroy, Pottery sorting table, Apollo Hotel, Pafos theatre excavations, April 2006, pigment inkjet print on cotton rag (from digitised film positive), 90 x 114 cm. From the exhibitions Travellers from Australia, exhibited at the Pailia Ilektriki, Ktima Pafos, Cyprus, 2-15 October, as part of the official program of the Pafos2017 European Capital of Culture; and Sightseeing, Goulburn Regional Art Gallery, 12 July - 7 September, 2019. https://www.imagesandshadows.org/hannah-gee-statement daily 0.75 2021-02-19 https://static1.squarespace.com/static/5f8f7f3c1cc9636b63ebed3a/5f8f959c11b1b11dacecba3b/5f8f99af11b1b11daced55f0/1613697463210/Hannah-Gee_Winking-fragment_2017.jpg Hannah Gee Winking Fragment, 2017, looped animation still. From the exhibition Travellers from Australia, exhibited at the Pailia Ilektriki, Ktima Pafos, Cyprus, 2-15 October, as part of the official program of the Pafos2017 European Capital of Culture. To view Hannah’s animations from the Travellers exhibition, please visit her Profile Page https://static1.squarespace.com/static/5f8f7f3c1cc9636b63ebed3a/5f8f959c11b1b11dacecba3b/5f8f99966239e53ac2d4c443/1616737519683/Hannah-Gee_Sgraffito+Bird_2017.jpg Hannah Gee - HANNAH GEE / Animation is for me, the physical, material perception of time. My practice integrates traditional sculptural processes and digital media with stop-motion animation and projection installation. Focusing on museum objects and ancient iconography, human perceptions of time inform the material and conceptual foundation for my work, where ancient lives are reimagined through a contemporary medium. As objects that are simultaneously fixed in time, yet traverse time and space by being preserved and reimagined, objects from antiquity are particularly interesting to animate… SEE HANNAH’S ANIMATIONS FROM THE SITE & READ MORE HERE Winking Fragment, 2017, looped animation still. From the exhibition Travellers from Australia, exhibited at the Pailia Ilektriki, Ktima Pafos, Cyprus, 2-15 October, as part of the official program of the Pafos2017 European Capital of Culture. https://static1.squarespace.com/static/5f8f7f3c1cc9636b63ebed3a/5f8f959c11b1b11dacecba3b/5f8f9995ac3e6348088eaf5e/1613697569839/Hannah-Gee_Scraffito-in-the-Pafos-theatre_2016.jpg Hannah Gee Scraffito in the Pafos theatre, 2016, looped animation still. From the exhibition Travellers from Australia, exhibited at the Pailia Ilektriki, Ktima Pafos, Cyprus, 2-15 October, as part of the official program of the Pafos2017 European Capital of Culture. To view Hannah’s animations from the Travellers exhibition, please visit her Profile Page https://www.imagesandshadows.org/diana-wood-conroy-statement daily 0.75 2021-02-19 https://static1.squarespace.com/static/5f8f7f3c1cc9636b63ebed3a/5f8fb0e6258d867e679fded7/604ae541cdacae1901b175a9/1615521865899/DWC009.jpg Diana Wood Conroy Traces of the ancient city: the sacred metropolis, 2009, graphite on rice paper, 45 x 440 cm. From the exhibition Travellers from Australia, exhibited at the Pailia Ilektriki, Ktima Pafos, Cyprus, 2-15 October, as part of the official program of the Pafos2017 European Capital of Culture. https://static1.squarespace.com/static/5f8f7f3c1cc9636b63ebed3a/5f8fb0e6258d867e679fded7/5f8fb7d1fde0fd386bb4afd8/1615521792119/DW-Conroy_Imitation+-Marble_1997.jpg Diana Wood Conroy Imitation marble, 1997, gouache drawing of imitation marble fresco from the Pafos theatre, 40 x 26 cm. From the exhibition Travellers from Australia, exhibited at the Pailia Ilektriki, Ktima Pafos, Cyprus, 2-15 October, as part of the official program of the Pafos2017 European Capital of Culture. https://static1.squarespace.com/static/5f8f7f3c1cc9636b63ebed3a/5f8fb0e6258d867e679fded7/5f8fb7d0ac3e634808928f8d/1615521832060/DW_Conroy_Flower-for-Aphrodite_1998-2012.jpg Diana Wood Conroy Flower for Aphrodite, 1998-2012, woven tapestry fragment: wool and silk on cotton warp, 25 x 25 cm framed. From the exhibition Travellers from Australia, exhibited at the Pailia Ilektriki, Ktima Pafos, Cyprus, 2-15 October, as part of the official program of the Pafos2017 European Capital of Culture. https://static1.squarespace.com/static/5f8f7f3c1cc9636b63ebed3a/5f8fb0e6258d867e679fded7/5f8fb452fde0fd386bb45365/1615521750552/DW-Conroy_flower-and-tendrils_1998.jpg Diana Wood Conroy - DIANA WOOD CONROY / In 1996, with great excitement I renewed connections with my training as a classical archaeologist, joining the University of Sydney dig at the ancient theatre at Pafos through the invitation of my early lecturer Richard Green. The Hellenistic-Roman Cypriot past became my living present and began to permeate my artwork and writing. Classical elements converged with Australian themes in my tapestries and paintings. Archaeology, with its intricate and humble devotion to the minutiae of unearthing buildings and objects claimed me again, so that I could bring to life the work of the fresco painters of the Pafos theatre… READ MORE Flower and tendrils, 1998, gouache drawing of fresco from ceiling of parados of the Pafos theatre, 29.8 x 19.1 cm. From the exhibition Travellers from Australia, exhibited at the Pailia Ilektriki, Ktima Pafos, Cyprus, 2-15 October, as part of the official program of the Pafos2017 European Capital of Culture. https://static1.squarespace.com/static/5f8f7f3c1cc9636b63ebed3a/5f8fb0e6258d867e679fded7/5f8fb43cf741391bbbf832af/1615521907947/DW_Conroy_traces-of-the-ancient-city_2009.jpg Diana Wood Conroy Detail, Traces of the ancient city: the sacred metropolis, 2009, graphite on rice paper 45 x 440 cm (whole work). From the exhibition Travellers from Australia, exhibited at the Pailia Ilektriki, Ktima Pafos, Cyprus, 2-15 October, as part of the official program of the Pafos2017 European Capital of Culture. https://static1.squarespace.com/static/5f8f7f3c1cc9636b63ebed3a/5f8fb0e6258d867e679fded7/5f8fb43b9a5e10176351f968/1603253333663/DW_Conroy_Imitation-Marble_1997.jpg Diana Wood Conroy https://static1.squarespace.com/static/5f8f7f3c1cc9636b63ebed3a/t/5f924653dfec2546ae8a6ee3/1613699142884/DW_Conroy_Flower-for-Aphrodite_1998-2012.jpg Diana Wood Conroy Diana Wood Conroy, Flower for Aphrodite, 1998-2012, woven tapestry fragment: wool and silk on cotton warp, 25 x 25 cm framed. From the exhibition Travellers from Australia, exhibited at the Pailia Ilektriki, Ktima Pafos, Cyprus, 2-15 October, as part of the official program of the Pafos2017 European Capital of Culture. https://www.imagesandshadows.org/geoff-stennett-statement daily 0.75 2021-03-11 https://static1.squarespace.com/static/5f8f7f3c1cc9636b63ebed3a/5f9776784de27c712f002d80/604aa700ba6d0b39437a0201/1615507388059/Model+1.jpg Geoff Stennett - GEOFF STENNETT / Since graduating with a Bachelor of Architecture from the University of Technology Sydney, Geoff Stennett has worked on a wide range of architectural building types, acquiring a broad knowledge of both the architectural profession and construction industry, with expertise in all facets of building design and on-site construction procedures. Since its first beginnings in 1996, he has been the supervising architect for the Paphos Theatre Archaeological Project. Since then, Geoff has seen an ever increasing uptake in the use of digital technologies at the excavation… READ MORE Hypothetical reconstruction of the Paphos Theatre. Aerial view from north west. https://static1.squarespace.com/static/5f8f7f3c1cc9636b63ebed3a/5f9776784de27c712f002d80/604aa2f502c7fd387fc36188/1615504205151/Model+1.jpg Geoff Stennett - GEOFF STENNETT / 3D computer hypothetical reconstruction of the Paphos Theatre. Aerial view from north west. https://static1.squarespace.com/static/5f8f7f3c1cc9636b63ebed3a/5f9776784de27c712f002d80/5fcec5651b45e152edb3aa80/1615505476141/Model+5.jpg Geoff Stennett 3D computer hypothetical reconstruction of the Paphos Theatre. Hypothetical reconstruction of the nymphaeum. https://static1.squarespace.com/static/5f8f7f3c1cc9636b63ebed3a/5f9776784de27c712f002d80/5fcec4db1901dd4d2ec06fb2/1615505476127/Model+13.jpg Geoff Stennett 3D computer hypothetical reconstruction of the Paphos Theatre. View from north west showing entry/exit to the theatre in the outer wall. https://static1.squarespace.com/static/5f8f7f3c1cc9636b63ebed3a/5f9776784de27c712f002d80/5fcec4d6509e863c681c6340/1615505476126/Model+11.jpg Geoff Stennett 3D computer hypothetical reconstruction of the Paphos Theatre. Hypothetical reconstruction of the scaena frons. https://static1.squarespace.com/static/5f8f7f3c1cc9636b63ebed3a/5f9776784de27c712f002d80/5fcec4d4798354522dfbc0ca/1615505475900/Model+10.jpg Geoff Stennett 3D computer hypothetical reconstruction of the Paphos Theatre. View looking west from the upper cavea. https://static1.squarespace.com/static/5f8f7f3c1cc9636b63ebed3a/5f9776784de27c712f002d80/5fcec4d01901dd4d2ec06d47/1615505475875/Model+6.jpg Geoff Stennett 3D computer hypothetical reconstruction of the Paphos Theatre. Aerial view from the north west. https://static1.squarespace.com/static/5f8f7f3c1cc9636b63ebed3a/5f9776784de27c712f002d80/5fcec4ca24ae147ef3c9c9b8/1615505475864/Model+4.jpg Geoff Stennett 3D computer hypothetical reconstruction of the Paphos Theatre. Aerial view from the north west. https://static1.squarespace.com/static/5f8f7f3c1cc9636b63ebed3a/5f9776784de27c712f002d80/5fcec4c93fa051062b337c4f/1615505476363/Model+3.jpg Geoff Stennett 3D computer hypothetical reconstruction of the Paphos Theatre. Hypothetical reconstruction of the scaena frons. https://static1.squarespace.com/static/5f8f7f3c1cc9636b63ebed3a/5f9776784de27c712f002d80/5fcec4c414319a51dc1d1084/1607386314104/Model+1.jpg Geoff Stennett https://static1.squarespace.com/static/5f8f7f3c1cc9636b63ebed3a/5f9776784de27c712f002d80/5fcec4c31a78ee5f015274fa/1615505476087/Model+2.jpg Geoff Stennett 3D computer hypothetical reconstruction of the Paphos Theatre. View to the cavea from the stage. https://static1.squarespace.com/static/5f8f7f3c1cc9636b63ebed3a/5f9776784de27c712f002d80/5f9776b4dfb2b75afbb66074/1615507377861/2017Excavation+Plan+resized_web.jpg Geoff Stennett The Theatre at New Paphos, Plan of Excavations, 2010. From the exhibition Travellers from Australia, exhibited at the Pailia Ilektriki, Ktima Pafos, Cyprus, 2-15 October, as part of the official program of the Pafos2017 European Capital of Culture. https://static1.squarespace.com/static/5f8f7f3c1cc9636b63ebed3a/t/5f9777d58327ce41a44394c8/1607485999394/Stennett_Plan-of-Theatre_2017_install-resized.jpg Geoff Stennett Installation photograph of Geoff Stennett, The Theatre at New Paphos, Plan of Excavations, 2010. From the exhibition Travellers from Australia, exhibited at the Pailia Ilektriki, Ktima Pafos, Cyprus, 2-15 October, as part of the official program of the Pafos2017 European Capital of Culture. Photo: Shelley Webster 2017. https://www.imagesandshadows.org/lawrence-wallen-statement daily 0.75 2021-02-22 https://static1.squarespace.com/static/5f8f7f3c1cc9636b63ebed3a/5f8fafeff741391bbbf79ec2/60343759787e947dba2b3b74/1615507115499/1_without-continental-drift1.jpg Lawrence Wallen without continental drift (2017), charcoal on paper, 299 x 63 cm. Installation view, On Typographies, Kensington Contemporary, Sydney, 2011. https://static1.squarespace.com/static/5f8f7f3c1cc9636b63ebed3a/5f8fafeff741391bbbf79ec2/6034362fd090a624022f0f2b/1615507115479/3_without-continental-drift3.jpg Lawrence Wallen without continental drift (2017), charcoal on paper, 299 x 63 cm. Installation view, On Typographies, Kensington Contemporary, Sydney, 2011. https://static1.squarespace.com/static/5f8f7f3c1cc9636b63ebed3a/5f8fafeff741391bbbf79ec2/6034362b6149c57271f05dfe/1615507115481/2_without-continental-drift2.jpg Lawrence Wallen without continental drift (2017), charcoal on paper, 299 x 63 cm. Installation view, On Typographies, Kensington Contemporary, Sydney, 2011. https://static1.squarespace.com/static/5f8f7f3c1cc9636b63ebed3a/5f8fafeff741391bbbf79ec2/6034361e844a6419b58d4b25/1615507115464/2_grammar+of+space.jpg Lawrence Wallen Staging landscape #12 (2011), ink on paper, 500 x 240 cm, UTS Gallery, Sydney. https://static1.squarespace.com/static/5f8f7f3c1cc9636b63ebed3a/5f8fafeff741391bbbf79ec2/5f97584631e9ee561a6c7695/1616737971789/L-Wallen__Detail-3_Without-Continental-Drift_2017_install-shot.jpg Lawrence Wallen Detail, Co-located structures (2017), Charcoal Tempera on Paper, 598cm x 63cm.
 From the exhibition Travellers from Australia, exhibited at the Pailia Ilektriki, Ktima Pafos, Cyprus, 2-15 October, as part of the official program of the Pafos2017 European Capital of Culture. Photo: Shelley Webster, 2017. https://static1.squarespace.com/static/5f8f7f3c1cc9636b63ebed3a/5f8fafeff741391bbbf79ec2/5f975833703d774feea97313/1616737980452/L-Wallen__Detail-2_Without-Continental-Drift_2017_install-shot.jpg Lawrence Wallen Detail, Co-located structures (2017), Charcoal Tempera on Paper, 598cm x 63cm.

 From the exhibition Travellers from Australia, exhibited at the Pailia Ilektriki, Ktima Pafos, Cyprus, 2-15 October, as part of the official program of the Pafos2017 European Capital of Culture. Photo: Shelley Webster, 2017. https://static1.squarespace.com/static/5f8f7f3c1cc9636b63ebed3a/5f8fafeff741391bbbf79ec2/5f9756518ca15028ed616395/1615507115245/L-Wallen_Santa-Maria_2015_resized.jpg Lawrence Wallen Santa Maria dei Miracoli (1675) and Santa Maria di Montesanto (1681) on Piazza del Popolo in Rome, 2015, photograph. https://static1.squarespace.com/static/5f8f7f3c1cc9636b63ebed3a/5f8fafeff741391bbbf79ec2/5f975650598a6819d27fa660/1615507129038/L-Wallen_Without-Continental-Drift_2017_install-shot.jpg Lawrence Wallen - LAWRENCE WALLEN / Through my recent research, and its fragile representations, I propose the possibility of comprehending the relationship between material landscapes and the immaterial and in-visible spiritual, psychological and intellectual landscapes created through the artist’s gaze. This desired conjunction forms the conceptual and visual basis of my recent work, arguing that the particular and unique alignment of material and immaterial landscapes form a sequence of dual spaces… READ MORE Co-located structures (2017), Charcoal Tempera on Paper, 598cm x 63cm. From the exhibition Travellers from Australia, exhibited at the Pailia Ilektriki, Ktima Pafos, Cyprus, 2-15 October, as part of the official program of the Pafos2017 European Capital of Culture. Photo: Shelley Webster 2017. https://static1.squarespace.com/static/5f8f7f3c1cc9636b63ebed3a/5f8fafeff741391bbbf79ec2/5f9755bc159a085df32a99f3/1603753522255/ Lawrence Wallen https://static1.squarespace.com/static/5f8f7f3c1cc9636b63ebed3a/t/5f975c1f4de27c712ffbcff7/1613970214272/L-Wallen__Detail-3_Without-Continental-Drift_2017_install-shot.jpg Lawrence Wallen Lawrence Wallen, Detail, Co-located structures (2017), Charcoal Tempera on Paper, 598cm x 63cm. From the exhibition Travellers from Australia, exhibited at the Pailia Ilektriki, Ktima Pafos, Cyprus, 2-15 October, as part of the official program of the Pafos2017 European Capital of Culture. Photo: Shelley Webster, 2017. https://www.imagesandshadows.org/amanda-dusting-statement daily 0.75 2021-08-13 https://static1.squarespace.com/static/5f8f7f3c1cc9636b63ebed3a/5f976c74e7571f67c4eecb64/604d769c118dc23a05f749ff/1616128456807/Dusting_Film-Still_2017_small.jpg Amanda Dusting - AMANDA DUSTING / Amanda Dusting originally trained as a painter and filmmaker at Newcastle College of Advanced Education and then the University of Technology Sydney and was the recipient of two grants from the Australian Film Commission to make short animated and live-action films. But Dusting had always really wanted to be an archaeologist. She got that opportunity through volunteering on archaeological excavations in Jordan and from 1996 at the University of Sydney’s Paphos Theatre Archaeological Project where she became an archaeological illustrator… READ MORE Film still from the video Paphos Archaeological Excavations 1998-2006, 2017. From the exhibition Travellers from Australia, exhibited at the Pailia Ilektriki, Ktima Pafos, Cyprus, 2-15 October, as part of the official program of the Pafos2017 European Capital of Culture. https://static1.squarespace.com/static/5f8f7f3c1cc9636b63ebed3a/5f976c74e7571f67c4eecb64/5f976f816cfa666d2ccd0c70/1603763747914/A-Dusting_Travellers-Installation-2_2017_resized.jpg Amanda Dusting https://static1.squarespace.com/static/5f8f7f3c1cc9636b63ebed3a/5f976c74e7571f67c4eecb64/5f976f800d11dc52f211a684/1628827528343/A-Dusting_Travellers-Installation-1_2017_resized.jpg Amanda Dusting Amanda Dusting, installation photographs of the video Pafos Archaeological Excavations 1998-2006, film loop on a DVD, duration 10 min, from the exhibition Travellers from Australia, exhibited at the Pailia Ilektriki, Ktima Pafos, Cyprus, 2-15 October, as part of the official program of the Pafos2017 European Capital of Culture. Photos: Shelley Webster 2017. https://www.imagesandshadows.org/brogan-bunt-statement daily 0.75 2021-02-22 https://static1.squarespace.com/static/5f8f7f3c1cc9636b63ebed3a/5f8f8b772d6a602f2e70ea5e/60343a7236e5100ea63400fb/1616459559960/paphos-24_07_2017-2_45_25-PM.jpg Brogan Bunt Theatre, 2006, screen shot of interactive multimedia project. From the exhibition Sonic Architectures held at the FCA Gallery, Faculty of Creative Arts, University of Wollongong, 2006. https://static1.squarespace.com/static/5f8f7f3c1cc9636b63ebed3a/5f8f8b772d6a602f2e70ea5e/60343a72a67c700ef4739045/1616459523816/paphos-24_07_2017-2_44_59-PM.jpg Brogan Bunt Basilica, 2006, screen shot of interactive multimedia project. From the exhibition Sonic Architectures held at the FCA Gallery, Faculty of Creative Arts, University of Wollongong, 2006 https://static1.squarespace.com/static/5f8f7f3c1cc9636b63ebed3a/5f8f8b772d6a602f2e70ea5e/60343a7144dbff2b7a42786e/1614035809745/paphos-24_07_2017-2_44_31-PM.jpg Brogan Bunt Paphos, 2006, screen shot of interactive multimedia project https://static1.squarespace.com/static/5f8f7f3c1cc9636b63ebed3a/5f8f8b772d6a602f2e70ea5e/60343a7092d6af51cbd13ff1/1616459490176/paphos-24_07_2017-2_44_45-PM.jpg Brogan Bunt Theatre, 2006, screen shot of interactive multimedia project. From the exhibition Sonic Architectures held at the FCA Gallery, Faculty of Creative Arts, University of Wollongong, 2006 https://static1.squarespace.com/static/5f8f7f3c1cc9636b63ebed3a/5f8f8b772d6a602f2e70ea5e/5f924a8ac8d04c23801cd7d4/1614035528713/IMG_8216_ed_resized.jpg Brogan Bunt Installation view showing digital image from interactive multi-media project Theatre, 2006. From the exhibition Travellers from Australia, exhibited at the Pailia Ilektriki, Ktima Pafos, Cyprus, 2-15 October, as part of the official program of the Pafos2017 European Capital of Culture. Photo: Shelley Webster, 2017. https://static1.squarespace.com/static/5f8f7f3c1cc9636b63ebed3a/5f8f8b772d6a602f2e70ea5e/5f8f8d25978bd64bd60ccb08/1615507304714/Brogan-Bunt_Chrysopolitissa_2006.jpg Brogan Bunt - BROGAN BUNT / Working to reveal layers of spatial and narrative imagery was part of my artistic exploration in digital media. I participated in the project Sonic Architectures: Mapping the ancient theatre in image and sound (Diana Wood Conroy, Brogan Bunt, Diane Epoff, Stephen Ingham) at the University of Wollongong in 2006, which asked how an understanding of the ancient theatre might give contemporary artists new imaginative insights in working at the cutting edge of electronic technologies. By discovering the parameters of visual and sonic (acoustic) mapping of the ancient theatre in the University of Wollongong team at the Paphos theatre we tried to construct a cross-disciplinary alliance across the senses of sight, sound and touch. I devised a multimedia work to provide virtual navigable access to two Paphos archaeological sites, Panagia Chrysopolitissa and the ancient theatre… READ MORE Chrysopolitissa, 2006, digital image from multimedia project https://static1.squarespace.com/static/5f8f7f3c1cc9636b63ebed3a/t/5f924879497b39456c7e4f4a/1607485918938/IMG_8216_ed_resized.jpg Brogan Bunt Brogan Bunt, installation photograph showing digital image from interactive multi-media project Theatre, 2006. Photo: Shelley Webster 2017. From the exhibition Travellers from Australia, exhibited at the Pailia Ilektriki, Ktima Pafos, Cyprus, 2-15 October, as part of the official program of the Pafos2017 European Capital of Culture. https://www.imagesandshadows.org/bob-miller-statement daily 0.75 2020-12-09 https://static1.squarespace.com/static/5f8f7f3c1cc9636b63ebed3a/5f8fa8ca11b1b11dacef6d0d/5f8fa9dfe072020fa77612cd/1603415978294/Bob-Miller_Womens-face-in-profile_2012.jpg Bob Miller Women’s face in profile, fragment of Venetian sgraffito bowl, 2012, digital photograph https://static1.squarespace.com/static/5f8f7f3c1cc9636b63ebed3a/5f8fa8ca11b1b11dacef6d0d/5f8fa9de96d2c93c2a1dda21/1616466467046/Bob-Miller_Pafos-Theatre_2012.jpg Bob Miller - BOB MILLER / What difference does digital photography bring to the archaeological process? Reflecting on my own practice, which began in analogue photography with film cameras and dark rooms, I explore the new techniques that digital photography has contributed to the archaeological process. My photographs combine visual exploration of actual sites and objects with original research into techniques and approaches. By remembering the primary role of archaeological photography historically, I investigate the contemporary relationship between artefact, site and image… READ MORE Pafos Theatre, 2012, infra red photograph https://static1.squarespace.com/static/5f8f7f3c1cc9636b63ebed3a/t/5f9232241e1d8b760bbb1049/1604021857876/IMG_7973_resized.jpg Bob Miller Installation photograph of Bob Miller’s works. From the exhibition Travellers from Australia, exhibited at the Pailia Ilektriki, Ktima Pafos, Cyprus, 2-15 October, as part of the official program of the Pafos2017 European Capital of Culture. Photo: Shelley Webster, 2017. https://www.imagesandshadows.org/guy-hazell-statement daily 0.75 2020-12-09 https://static1.squarespace.com/static/5f8f7f3c1cc9636b63ebed3a/5f8fbce1242cb42ab869ce22/604d79730df88f5b73b7238c/1615690342414/Guy-Hazell_Paphos-Panorama.jpg Guy Hazell Pafos Panorama by Guy Hazell, from the exhibition Travellers from Australia, exhibited at the Pailia Ilektriki, Ktima Pafos, Cyprus, 2-15 October, as part of the official program of the Pafos2017 European Capital of Culture. https://static1.squarespace.com/static/5f8f7f3c1cc9636b63ebed3a/5f8fbce1242cb42ab869ce22/5f977c897a5be425d7ed920f/1615690284807/IMG_8148_ed_resized.jpg Guy Hazell Installation photograph of Pafos Panorama by Guy Hazell, from the exhibition Travellers from Australia, exhibited at the Pailia Ilektriki, Ktima Pafos, Cyprus, 2-15 October, as part of the official program of the Pafos2017 European Capital of Culture. Photo: Shelley Webster 2017. https://static1.squarespace.com/static/5f8f7f3c1cc9636b63ebed3a/5f8fbce1242cb42ab869ce22/5f8fbd04256a77598a8cb5b2/1615507360732/Guy-Hazell_Orthophoto-of-the-ancient-theatre_2015.jpg Guy Hazell - GUY HAZELL / Guy Hazell has always been interested in what can be seen through the lens and spent his 20s travelling the world photographing what he saw. Eventually this love of the lens and film lead him to open an Art-house video and DVD store specialising in foreign language and independent cinema. In the 1980s he started his own video distribution label releasing such films as: Jean Cocteau’s La Belle et La Bête and Orphée, Jean Renoir’s La Règle du Jeu, Luis Buñuel’s Un Chien Andalou and Pasolini’s version of Euripides’ Medea. In 2008 Guy decided to change direction and re-train his love of the lens to become an archaeological surveyor… Orthophoto of the ancient theatre of Nea Pafos, 2015, digital media. https://static1.squarespace.com/static/5f8f7f3c1cc9636b63ebed3a/t/5f924fe80e3a577b1d91ec7e/1607485946187/IMG_8148_ed_resized.jpg Guy Hazell Installation photograph of work by Guy Hazell, from the exhibition Travellers from Australia, exhibited at the Pailia Ilektriki, Ktima Pafos, Cyprus, 2-15 October, as part of the official program of the Pafos2017 European Capital of Culture. Photo: Shelley Webster 2017. https://www.imagesandshadows.org/stephen-ingham-statement daily 0.75 2020-12-09 https://static1.squarespace.com/static/5f8f7f3c1cc9636b63ebed3a/5f8fbb4d258d867e67a0efc0/5f976384d084b853b146fc36/1603757064832/DWC_SI_Eustorgis-rubbing_2015.jpg Stephen Ingham Diana Wood Conroy, Efstorgis inscription from the Paphos theatre, graphite rubbing on rice paper, 45 x 60cm, 2006. Used for Stephen Ingham’s digital acoustic composition of Akou. https://static1.squarespace.com/static/5f8f7f3c1cc9636b63ebed3a/5f8fbb4d258d867e67a0efc0/5f9760fd866cb37652b24801/1615507254496/IMG_7921_ed_resized.jpg Stephen Ingham - STEPHEN INGHAM / For the 2006 project Sonic architectures: mapping the ancient theatre in image and sound Stephen Ingham took the scanned rubbings of the theatre textures as a starting point, to create sound textures through merging innovative computer programs with musical thinking. He composed Akou in 2006. While the fields of electroacoustic composition and spatialised sound diffusion are not in themselves new, the composer’s ability to harness recent digital technologies to generate and spatially diffuse sound output from vast quantities of scanned (or otherwise derived) data - sonification – has emerged as an exciting field of creative investigation… CLICK HERE TO HEAR ‘AKOU’ COMPOSITION AND READ MORE Image of Stephen Ingham’s sound piece derived from scanned textures of the Paphos ancient theatre: Akou, 2006. Duration 12.57 minutes. From the exhibition Travellers from Australia, exhibited at the Pailia Ilektriki, Ktima Pafos, Cyprus, 2-15 October, as part of the official program of the Pafos2017 European Capital of Culture. Photo: Shelley Webster 2017. https://static1.squarespace.com/static/5f8f7f3c1cc9636b63ebed3a/t/5f9764876cfa666d2ccb3917/1603850703304/IMG_7921_ed_resized.jpg Stephen Ingham Image of Stephen Ingham’s sound piece derived from scanned textures of the Paphos ancient theatre: Akou, 2006. Duration 12.57 minutes. From the exhibition Travellers from Australia, exhibited at the Pailia Ilektriki, Ktima Pafos, Cyprus, 2-15 October, as part of the official program of the Pafos2017 European Capital of Culture. Photo: Shelley Webster 2017. https://www.imagesandshadows.org/travellers-from-australia daily 0.75 2021-03-26 https://static1.squarespace.com/static/5f8f7f3c1cc9636b63ebed3a/5f98add48395380e56484855/5f98af29cd172a17254adf21/1617683654433/IMG_8250_ed_resized.jpg Travellers From Australia Installation photograph of the group exhibition Travellers from Australia, Pailia Ilektriki, Ktima Pafos, Cyprus, 2-15 October 2017. Works by artists Dereck Kreckler and Rowan Conroy (left) and Penny Harris and Lawrence Wallen (right) visible in the gallery. Photo: Shelley Webster. https://static1.squarespace.com/static/5f8f7f3c1cc9636b63ebed3a/5f98add48395380e56484855/5f98af298693bf14645f587b/1617682806307/IMG_8255_ed_resized.jpg Travellers From Australia Installation photograph of the group exhibition Travellers from Australia, Pailia Ilektriki, Ktima Pafos, Cyprus, 2-15 October 2017. Works by artists Bob Miller (left) and Dereck Kreckler (right) visible in the gallery. Photo: Shelley Webster. https://static1.squarespace.com/static/5f8f7f3c1cc9636b63ebed3a/5f98add48395380e56484855/5f98af0e8395380e564889d0/1617683269254/IMG_8236_ed_resized.jpg Travellers From Australia Installation photograph of the group exhibition Travellers from Australia, Pailia Ilektriki, Ktima Pafos, Cyprus, 2-15 October 2017. Works by artist Bob Miller (left wall) visible in the gallery. Photo: Shelley Webster. https://static1.squarespace.com/static/5f8f7f3c1cc9636b63ebed3a/5f98add48395380e56484855/5f98aefd8af82c649a31937c/1617683730142/IMG_8158_ed_resized.jpg Travellers From Australia Installation photograph of the group exhibition Travellers from Australia, Pailia Ilektriki, Ktima Pafos, Cyprus, 2-15 October 2017. Works by artists Lawrence Wallen , Jacky Redgate, and Bob Miller (left); Bob Miller, Dereck Kreckler, and Rowan Conroy (right) visible in the gallery. Photo: Shelley Webster. https://static1.squarespace.com/static/5f8f7f3c1cc9636b63ebed3a/5f98add48395380e56484855/5f98aefcb3a0154870c0eca2/1617683218039/IMG_8156_ed_1_resized.jpg Travellers From Australia Installation photograph of the group exhibition Travellers from Australia, Pailia Ilektriki, Ktima Pafos, Cyprus, 2-15 October 2017. Works by artists (left to right) Lawrence Wallen, Jacky Redgate, and Bob Miller visible in the gallery. Photo: Shelley Webster. https://static1.squarespace.com/static/5f8f7f3c1cc9636b63ebed3a/5f98add48395380e56484855/5f98aeb55656a815ea2bc16b/1617682456130/IMG_8154_ed_resized.jpg Travellers From Australia Installation photograph of the group exhibition Travellers from Australia, Pailia Ilektriki, Ktima Pafos, Cyprus, 2-15 October 2017. Works by artists (left to right): Guy Hazell , Lawrence Wallen, and Jacky Redgate visible in the gallery. Photo: Shelley Webster. https://static1.squarespace.com/static/5f8f7f3c1cc9636b63ebed3a/5f98add48395380e56484855/5f98aeb425d91d194216f078/1617681721557/IMG_8146_ed_resized.jpg Travellers From Australia Installation photograph of the group exhibition Travellers from Australia, Pailia Ilektriki, Ktima Pafos, Cyprus, 2-15 October 2017. Works by artist Jacky Redgate visible in the gallery. Photo: Shelley Webster. https://static1.squarespace.com/static/5f8f7f3c1cc9636b63ebed3a/5f98add48395380e56484855/5f98aea2dfbbde386cdd6ccb/1617682183019/IMG_8125_ed_resized.jpg Travellers From Australia Installation photograph of the group exhibition Travellers from Australia, Pailia Ilektriki, Ktima Pafos, Cyprus, 2-15 October 2017. Works by artists Penny Harris (left) and Lawrence Wallen (right) visible in the gallery. Photo: Shelley Webster. https://static1.squarespace.com/static/5f8f7f3c1cc9636b63ebed3a/5f98add48395380e56484855/5f98aea150f8f6344d4fb82d/1617682079675/IMG_8113_ed_resized.jpg Travellers From Australia Installation photograph of the group exhibition Travellers from Australia, Pailia Ilektriki, Ktima Pafos, Cyprus, 2-15 October 2017. Works by artists Dereck Kreckler (left) and Rowan Conroy (right) visible in the gallery. Photo: Shelley Webster. https://static1.squarespace.com/static/5f8f7f3c1cc9636b63ebed3a/5f98add48395380e56484855/5f98ae8cff65ab3c8d88ccb3/1617682062550/IMG_8109_ed_resized.jpg Travellers From Australia Installation photograph of the group exhibition Travellers from Australia, Pailia Ilektriki, Ktima Pafos, Cyprus, 2-15 October 2017. Works by artists Dereck Kreckler (left) and Rowan Conroy (right) visible in the gallery. Photo: Shelley Webster. https://static1.squarespace.com/static/5f8f7f3c1cc9636b63ebed3a/5f98add48395380e56484855/5f98ae8ce2ff2647e1db0892/1617681957975/IMG_8071_ed_1_resized.jpg Travellers From Australia Installation photograph of the group exhibition Travellers from Australia, Pailia Ilektriki, Ktima Pafos, Cyprus, 2-15 October 2017. Works by artists Lawrence Wallen (left) and Jacky Redgate (right) visible in the gallery. Photo: Shelley Webster. https://static1.squarespace.com/static/5f8f7f3c1cc9636b63ebed3a/5f98add48395380e56484855/5f98ae328395380e56485b6b/1617682162828/IMG_8065_ed_1_resized.jpg Travellers From Australia Installation photograph of the group exhibition Travellers from Australia, Pailia Ilektriki, Ktima Pafos, Cyprus, 2-15 October 2017. Works by artists Penny Harris (left) and Lawrence Wallen (right) visible in the gallery. Photo: Shelley Webster. https://static1.squarespace.com/static/5f8f7f3c1cc9636b63ebed3a/5f98add48395380e56484855/5f98ae1bdfbbde386cdd54ab/1617682072663/IMG_8057_ed_resized.jpg Travellers From Australia Installation photograph of the group exhibition Travellers from Australia, Pailia Ilektriki, Ktima Pafos, Cyprus, 2-15 October 2017. Works by artists Dereck Kreckler (left) and Rowan Conroy (right) visible in the gallery. Photo: Shelley Webster. https://static1.squarespace.com/static/5f8f7f3c1cc9636b63ebed3a/5f98add48395380e56484855/5f98ae021614986f842e9d64/1617682040825/IMG_8056_ed_resized.jpg Travellers From Australia Installation photograph of the group exhibition Travellers from Australia, Pailia Ilektriki, Ktima Pafos, Cyprus, 2-15 October 2017. Works by artists Dereck Kreckler (left) and Rowan Conroy (right) visible in the gallery. Photo: Shelley Webster. https://static1.squarespace.com/static/5f8f7f3c1cc9636b63ebed3a/5f98add48395380e56484855/5f98adff52d5830f94e7858c/1617683505953/IMG_8054_ed_resized.jpg Travellers From Australia Installation photograph of the group exhibition Travellers from Australia, Pailia Ilektriki, Ktima Pafos, Cyprus, 2-15 October 2017. Work by artists (left to right) Jacky Redgate and Bob Miller visible in the gallery. Photo: Shelley Webster. https://static1.squarespace.com/static/5f8f7f3c1cc9636b63ebed3a/5f98add48395380e56484855/5f98adec8693bf14645f2c4d/1617681865592/IMG_8045_ed_resized.jpg Travellers From Australia Installation photograph of the group exhibition Travellers from Australia, Pailia Ilektriki, Ktima Pafos, Cyprus, 2-15 October 2017. Works by artist Guy Hazell (left) and Lawrence Wallen (right) visible in the gallery. Photo: Shelley Webster. https://static1.squarespace.com/static/5f8f7f3c1cc9636b63ebed3a/5f98add48395380e56484855/5f98adeac4262b4f31c59925/1617683376232/IMG_7757_ed_resized.jpg Travellers From Australia Exterior gallery photograph of the Pailia Ilektriki, Ktima Pafos, Cyprus, 2-15 October 2017, during the group exhibition Travellers from Australia curated by Craig Barker and Diana Wood Conroy. Photo: Shelley Webster. https://static1.squarespace.com/static/5f8f7f3c1cc9636b63ebed3a/5f98add48395380e56484855/5f98add6b3a0154870c0ae53/1617683385575/IMG_7743_ed_resized.jpg Travellers From Australia Exterior gallery photograph of the Pailia Ilektriki, Ktima Pafos, Cyprus, 2-15 October 2017, during the group exhibition Travellers from Australia curated by Craig Barker and Diana Wood Conroy. Photo: Shelley Webster. https://static1.squarespace.com/static/5f8f7f3c1cc9636b63ebed3a/5f98add48395380e56484855/5f98add68fd4706b7e304887/1617683393740/IMG_7731_ed_resized.jpg Travellers From Australia Exterior gallery photograph of the Pailia Ilektriki, Ktima Pafos, Cyprus, 2-15 October 2017, during the group exhibition Travellers from Australia curated by Craig Barker and Diana Wood Conroy. Photo: Shelley Webster. https://static1.squarespace.com/static/5f8f7f3c1cc9636b63ebed3a/t/5fd2ce44c2d0131f502548f4/1607650945899/Front-page-Image_small.jpg Travellers From Australia - Read the exhibition catalogue Read the catalogue Travellers from Australia, 2017, Craig Barker and Diana Wood Conroy https://www.imagesandshadows.org/derek-kreckler-statement daily 0.75 2021-05-07 https://static1.squarespace.com/static/5f8f7f3c1cc9636b63ebed3a/t/5f9772810d11dc52f2120fa1/1607485633146/D-Kreckler_Lifting-Mechanism_2010-2017.jpg Derek Kreckler Derek Kreckler. Lifting Mechanism. 2010-17. 100 cm x 100cm, medium format colour negative, inkjet print. Format Photoshop JPG 300 DPI 30cm x 30cm. From the exhibition Travellers from Australia, exhibited at the Pailia Ilektriki, Ktima Pafos, Cyprus, 2-15 October, as part of the official program of the Pafos2017 European Capital of Culture. https://static1.squarespace.com/static/5f8f7f3c1cc9636b63ebed3a/5f8fa6a1242cb42ab8677a7c/5f977425d084b853b149cafe/1606782127675/D-Kreckler_capitals-lifting-installation-view_2017.jpg Derek Kreckler Derek Kreckler, installation photograph of the works Lifting Mechanism, 2010-2017 (left), and capitals, numbers 1-8 from Basilica Chrysopolitissa, 2010-2011 (right). From the exhibition Travellers from Australia, exhibited at the Pailia Ilektriki, Ktima Pafos, Cyprus, 2-15 October, as part of the official program of the Pafos2017 European Capital of Culture. Photo: Shelley Webster 2017. https://static1.squarespace.com/static/5f8f7f3c1cc9636b63ebed3a/5f8fa6a1242cb42ab8677a7c/5f90c2224ae53632cde1d5f5/1620347552301/D-Kreckler_Shadowlands_2011.jpg Derek Kreckler Shadowlands, 2011, colour negative, inkjet print, 100x100cm. https://static1.squarespace.com/static/5f8f7f3c1cc9636b63ebed3a/5f8fa6a1242cb42ab8677a7c/5f90c20a51c9a70f2310a2cd/1604019380866/D-Kreckler_Lifting-Mechanism_2010-2017.jpg Derek Kreckler Lifting mechanism, 2010-2017. 100 x 100 cm, medium format colour negative, inkjet print. Format Photoshop JPG 300 DPI 30 x 30 cm. From the exhibition Travellers from Australia, exhibited at the Pailia Ilektriki, Ktima Pafos, Cyprus, 2-15 October, as part of the official program of the Pafos2017 European Capital of Culture. Photo: Shelley Webster, 2017. https://static1.squarespace.com/static/5f8f7f3c1cc9636b63ebed3a/5f8fa6a1242cb42ab8677a7c/5f90c20a1a24b67b8fb57d5f/1620347906123/D-Kreckler_capitals-1-8_detail_2010-2011.jpg Derek Kreckler - DEREK KRECKLER / Photographing the Corinthian capitals in the Chryssopolitissa basilica for archaeological comparison with the Paphos Theatre site was both joyful and informative. Archaeological methodologies require precise measurements of varied forms that, in turn, mix the past with the present by revealing everyday things from this remarkable world-heritage listed place: "a theatre used for performance and entertainment for over six and a half centuries (c.300 BC to the late fourth century AD). At its maximum extent during the Antonine Emperors of the second century AD, the theatre could seat more than 8500 spectators…” (1) READ MORE Detail of Capitals, numbers 1-8 from Basilica Chrysopolitissa, 2010-2011. From the documentation of Corinthian capitals in the Pafos theatre, in Basilica Chryssopolitissa and in Apollo Hotel store. Digital photography on Baryta paper, 32 x 42 cm. From the exhibition Travellers from Australia, exhibited at the Pailia Ilektriki, Ktima Pafos, Cyprus, 2-15 October, as part of the official program of the Pafos2017 European Capital of Culture. Photo: Shelley Webster, 2017. https://www.imagesandshadows.org/about-us daily 0.75 2021-07-20 https://static1.squarespace.com/static/5f8f7f3c1cc9636b63ebed3a/60594a0468604e5ea20c35ea/6062b35dc741ca776d919722/1617081297483/Hannah-Gee_Catherine-Fenech_2014.jpg About Us Visual artists Hannah Gee and Catherine Fenech in the Paphos Theatre in 2014. Photo: Courtesy of Diana Wood Conroy. https://static1.squarespace.com/static/5f8f7f3c1cc9636b63ebed3a/60594a0468604e5ea20c35ea/605d6a324eefea45e9f64979/1616734991502/DWC_recording-parodos.jpg About Us Visual artist Diana Wood Conroy measuring the traces of pigment to scale on the parodos wall. Fresco at this entrance to the theatre would have formed a brilliant background for people processing into the theatre. Photo: Courtesy of the artist. https://static1.squarespace.com/static/5f8f7f3c1cc9636b63ebed3a/60594a0468604e5ea20c35ea/605abd565564c6535a8b0e99/1616570331536/Screen+Shot+2021-03-24+at+2.03.48+pm.png About Us Contemporary artist Lawrence Wallen in the Paphos Theatre in 2010. Wallen’s practice manifests itself in the form of writing, drawings, moving images, objects, scenography and photography. Photo: Courtesy of Lawrence Wallen. https://static1.squarespace.com/static/5f8f7f3c1cc9636b63ebed3a/60594a0468604e5ea20c35ea/605a8d2cbe59540bfda351c6/1616547893381/DWC+painting+2006.jpg About Us Professor Diana Wood Conroy making a watercolour on the site, 2016. Photo: Rowan Conroy. https://static1.squarespace.com/static/5f8f7f3c1cc9636b63ebed3a/60594a0468604e5ea20c35ea/60596f8db46c8e047d54c586/1616547734394/5987204_orig.jpg About Us Team Surveyor Guy Hazell on site in 2015, working to create the orthophoto of the ancient theatre. Using a combination of surveying techniques and pole photography, Hazell is able to produce geo-referenced photogrammetry or orthophotos of a site or feature that reproduce an accurate image in plan or section. https://static1.squarespace.com/static/5f8f7f3c1cc9636b63ebed3a/60594a0468604e5ea20c35ea/60596c1fe66c761b6e984c93/1616473201811/2019-RMC_pt-s-0670_orig.jpg About Us Visual artist Rowan Conroy flying a drone over the site in 2019 to make video work. Conroy’s practice focuses on photography, rephotography, and archaeology. Photo: Bob Miller. https://static1.squarespace.com/static/5f8f7f3c1cc9636b63ebed3a/60594a0468604e5ea20c35ea/60596a736eec526deb9d94a0/1616472967063/geoff_1_orig.jpg About Us Project Architect Geoff Stennett on-site in 2019. Stennett has been the Project Architect since 1996, where he has see an ever increasing uptake in the use of digital technologies at the excavation, from capturing and documenting archaeological evidence, to the presentation of results in CAD and VR to a wider audience. Photo: Bob Miller. https://static1.squarespace.com/static/5f8f7f3c1cc9636b63ebed3a/60594a0468604e5ea20c35ea/605963a9cce1a531066342d5/1616473213812/2019_PT_0422.jpg About Us Visual artist Rowan Conroy flying a drone over the site in 2019 to make video work. Conroy’s practice focuses on photography, rephotography, and archaeology. Photo: Bob Miller. https://static1.squarespace.com/static/5f8f7f3c1cc9636b63ebed3a/60594a0468604e5ea20c35ea/60596367b46c8e047d54086e/1616570296953/IMG_8045_ed_resized.jpg About Us Visual artist Hannah Gee taking installation shots of work in the curated exhibition Travellers From Australia, held in Paphos, Cyprus, 2017. Gee’s experimental practice encompasses observational drawing, sculpture, and animation. Photo: Shelley Webster. https://static1.squarespace.com/static/5f8f7f3c1cc9636b63ebed3a/60594a0468604e5ea20c35ea/60594ae3470bab3e406fa603/1616550128957/SARF-in-Paphos-2010_small.jpg About Us Australian contemporary artists in the Paphos Theatre, Cyprus, 2010. From left: Nikki Heywood, Professor Diana Wood Conroy, Brogan Bunt, Deborah Pollard, Dereck Krekler, Jacky Redgate, Penny Harris, Jacqueline Gothe. Front: Lawrence Wallen. https://static1.squarespace.com/static/5f8f7f3c1cc9636b63ebed3a/60594a0468604e5ea20c35ea/60594a86ccf3914272b926ab/1616549948996/Picture+6.jpg About Us Film maker and video artist Amanda Dusting and Director Producer Darrell Rigby working to interview Emeritus Director J. Richard Green on-site for the short film The Dig : Unearthing the Ancient Paphos Theatre (2005), directed and produced by Rigby. Photo courtesy of Amanda Dusting. https://static1.squarespace.com/static/5f8f7f3c1cc9636b63ebed3a/60594a0468604e5ea20c35ea/60594a6f7f08bb7613efa313/1616465800574/Picture+5.jpg About Us Artist Amanda Dusting on site with video camera in the early days of the project. Dusting has documented both the archaeological and anthropological processes of the excavation through the media of digital videoing over many years of her participation in the project. Photo: Courtesy of Amanda Dusting. https://static1.squarespace.com/static/5f8f7f3c1cc9636b63ebed3a/60594a0468604e5ea20c35ea/60594a6907aaf6279dd99ea7/1616721348603/Picture+4jpg.jpg About Us Video artist and filmmaker Amanda Dusting making archaeological illustrations in the drawing room, 2006. Dusting has also worked as an archaeological illustrator for the project for many years. Photo: Courtesy of Amanda Dusting. https://static1.squarespace.com/static/5f8f7f3c1cc9636b63ebed3a/60594a0468604e5ea20c35ea/60594a525025bd3f593d5cef/1616548877533/Picture+3.jpg About Us Amanda Dusting working as an archaeological illustrator in the early years of the project. Photo: Courtesy of Amanda Dusting. https://static1.squarespace.com/static/5f8f7f3c1cc9636b63ebed3a/60594a0468604e5ea20c35ea/60594a4ed4ddf85da859a3ee/1616544885978/Picture+1.jpg About Us Fimmaker and video artist Amanda Dusting using a 16mm cine camera to make work in the trench, 1996. Photo: Courtesy of Amanda Dusting. https://static1.squarespace.com/static/5f8f7f3c1cc9636b63ebed3a/60594a0468604e5ea20c35ea/60594a06557bd94cc7ec86db/1616468675501/PT_S_Film_scans_0051+copy.jpg About Us Photographer Bob Miller making work on the Paphos Theatre Archaeological Project site in the early days of the project. Miller’s work investigates the contemporary relationship between artefact, site and image. Photo courtesy of Bob Miller. https://static1.squarespace.com/static/5f8f7f3c1cc9636b63ebed3a/60594a0468604e5ea20c35ea/60594a05557bd94cc7ec86d4/1616547876723/PT_S_Film_scans_0049+copy_1.jpg About Us Professor Diana Wood Conroy, Artist in Residence on the Paphos Theatre Archaeological Project for 25 years, making work on the site in 2002. As Artist in Residence she studies Roman wall paintings as well as ancient textiles. Her exhibition work explores relationships between classical, Aboriginal and personal worlds in tapestry and drawing. Photo: Bob Miller. https://www.imagesandshadows.org/contact daily 0.75 2021-04-06 https://www.imagesandshadows.org/aphrodites-island daily 0.75 2021-03-26 https://static1.squarespace.com/static/5f8f7f3c1cc9636b63ebed3a/601c9eea9314e66565367b7f/605ac298e1a49d1739040113/1616560801931/Screen+Shot+2021-03-24+at+3.38.29+pm.png Aphrodite's Island https://static1.squarespace.com/static/5f8f7f3c1cc9636b63ebed3a/601c9eea9314e66565367b7f/605aa5de4f68d8227a2888ab/1616570129168/Screen+Shot+2021-03-24+at+1.35.29+pm.png Aphrodite's Island Installation view of Lawrence Wallen’s work excavationsite: the Mediterranean Diaries , from the exhibition Aphrodite’s Island at the Nicholson Museum, 2013. Photo: Lawrence Wallen. https://static1.squarespace.com/static/5f8f7f3c1cc9636b63ebed3a/601c9eea9314e66565367b7f/601c9eea3d12c8463a492e50/1616553677299/Installation-Photograph_2012-Vitrine-Nicholson.jpg Aphrodite's Island Installation photograph from the exhibition Aphrodite’s Island, 2013. Photo: Diana Wood Conroy. https://www.imagesandshadows.org/who-has-the-amphora-handle daily 0.75 2021-03-26 https://static1.squarespace.com/static/5f8f7f3c1cc9636b63ebed3a/5fced26f7379aa35976663ac/605aacc421059b1663c2cd85/1616555277924/WALLEN-Excavationsite+blue+2011.png Who Has the Amphora Handle? Installation view of Lawrence Wallen’s work excavationsite: blue from the exhibition Who has the amphora handle?, 2011 https://static1.squarespace.com/static/5f8f7f3c1cc9636b63ebed3a/5fced26f7379aa35976663ac/5ff7db2f9c199e237460ad72/1616724489806/Amphora+handle+opening+copy.jpg Who Has the Amphora Handle? Opening of the exhibition Who has the Amphora handle? Faculty of Creative Arts Gallery, 2011. From left: Vice Chancellor UOW Professor Gerard Sutton, Professor Diana Wood Conroy UOW, Dr Craig Barker, Sydney University Museums, Professor Sarah Miller Head, School of the Arts English and Media (TAEM) University of Wollongong. Photo courtesy of UOW. https://static1.squarespace.com/static/5f8f7f3c1cc9636b63ebed3a/5fced26f7379aa35976663ac/5fced2717379aa35976663bc/1616724483591/SARF-in-Paphos-2010_small.jpg Who Has the Amphora Handle? SARF artists in the Paphos Theatre, Cyprus. From left: Nikki Heywood, Professor Diana Wood Conroy, Brogan Bunt, Deborah Pollard, Dereck Krekler, Jacky Redgate, Penny Harris, Jacqueline Gothe. Front: Lawrence Wallen. Photo: Courtesy of Diana Wood Conroy https://static1.squarespace.com/static/5f8f7f3c1cc9636b63ebed3a/5fced26f7379aa35976663ac/5fced271cd9a2056ff650e89/1616724466924/Amphora-Handle-Opening_small.jpg Who Has the Amphora Handle? Opening of the exhibition Who has the Amphora handle? Faculty of Creative Arts Gallery, University of Wollongong (UoW), 2011. Photo courtesy of UOW. https://static1.squarespace.com/static/5f8f7f3c1cc9636b63ebed3a/t/5fced59176f3eb1a46d291f4/1607390620980/Who+Has+the+Amphora+Handle+2014.jpg Who Has the Amphora Handle? https://www.imagesandshadows.org/sonic-architectures daily 0.75 2021-03-26 https://static1.squarespace.com/static/5f8f7f3c1cc9636b63ebed3a/t/5fd2d724a3ffdf15f09a4be1/1607653172481/ACUADS+paper+front+page.jpg Sonic Architectures - Read the conference paper here Read the conference paper ‘The Sonic Architectures Project: Mapping the Ancient Theatre in Image and Sound.’ 2007, D. Wood Conroy, B. Bunt and D. Epoff. The Australian Council of University Art and Design School (ACUADS), pp. 18-19. https://static1.squarespace.com/static/5f8f7f3c1cc9636b63ebed3a/5fcf0d79faf0bc04d1c39828/605940f74df6cb13a36764dd/1616723833429/SonicArchitecturesExhibtion_DEpoff+with+Map+sections_2006_sml.jpg Sonic Architectures Diane Epoff Goodman, Map of Paphos Theatre with Sections , 2006, installation view. Photo: Courtesy of the artist. https://static1.squarespace.com/static/5f8f7f3c1cc9636b63ebed3a/5fcf0d79faf0bc04d1c39828/5fd03b5389fd2c07d1fcbec6/1616724259106/Sonic-Architectures_plan-of-theatre_2006.jpg Sonic Architectures Plan of the Theatre, 2006, on which artist Diana Wood Conroy made notes in creation of the exhibition Sonic Architectures: Mapping the Ancient Theatre in Image and Sound, 2006. Photo: Courtesy of the artist. https://static1.squarespace.com/static/5f8f7f3c1cc9636b63ebed3a/5fcf0d79faf0bc04d1c39828/5fd03b52a946005758775c7a/1616724005850/Sonic+Architectures_installation-overview_2006.jpg Sonic Architectures Installation view of work by Diana Wood Conroy (left) and Brogan Bunt (right) from the exhibition Sonic Architectures: Mapping the Ancient Theatre in Image and Sound, 2006. Photo: Diana Wood Conroy https://static1.squarespace.com/static/5f8f7f3c1cc9636b63ebed3a/5fcf0d79faf0bc04d1c39828/5fcf0d8814319a51dc28f49a/1616723890750/_SonicA+06Detail+mosic+DWC.jpg Sonic Architectures A rubbing taken from surfaces of the Paphos theatre, by Diana Wood Conroy. Photo: Courtesy of the artist. https://static1.squarespace.com/static/5f8f7f3c1cc9636b63ebed3a/5fcf0d79faf0bc04d1c39828/5fcf0d8824ae147ef3d521e8/1616723853545/_Sonic+ArchitecturesBrogan+panofile.jpg Sonic Architectures Brogan Bunt, 2006. View of the Graeco-Roman Theatre, Paphos, Cyprus. Interactive Panofile. Photo: Courtesy of the artist. https://static1.squarespace.com/static/5f8f7f3c1cc9636b63ebed3a/5fcf0d79faf0bc04d1c39828/5fcf0d7a76f3eb1a46db44fd/1616723812035/_Sonic+Arch+DWC+rubbingsDSC0063.jpg Sonic Architectures Rubbings taken from surfaces of the Paphos theatre, by Diana Wood Conroy. Photo: Courtesy of the artist. https://static1.squarespace.com/static/5f8f7f3c1cc9636b63ebed3a/5fcf0d79faf0bc04d1c39828/5fcf0d79b8233e30dfa2bf5f/1616723796541/_Sonic+A06Detail+wall+DWC.jpg Sonic Architectures Rubbings taken from surfaces of the Paphos theatre, by Diana Wood Conroy. Photo: Courtesy of the artist. https://www.imagesandshadows.org/images-vestiges-shadows-1996 daily 0.75 2021-03-26 https://static1.squarespace.com/static/5f8f7f3c1cc9636b63ebed3a/5fd04314cb6bfe602c4aa8a5/605d6e191d9a8003bc662641/1616735780299/IVS_installation-2.jpg Images, Vestiges, Shadows / 1996 The floor of the installation was a painted map of the site plan, all made to scale. Photo: Courtesy of Diana Wood Conroy. https://static1.squarespace.com/static/5f8f7f3c1cc9636b63ebed3a/5fd04314cb6bfe602c4aa8a5/605d6d95bb998a5f41012f82/1616736119046/IVS_installation-1.jpg Images, Vestiges, Shadows / 1996 Installation view of the exhibition Images, Vestiges, Shadows at The MacLaurin Hall, The University of Sydney, 1996. The installation was designed by The exhibition was designed by John Sencszuk and Phillippa Webb. Photo: Courtesy of Diana Wood Conroy. https://static1.squarespace.com/static/5f8f7f3c1cc9636b63ebed3a/5fd04314cb6bfe602c4aa8a5/605d6b5ac3696e42134223f0/1616735347237/IVS_installation-3.jpg Images, Vestiges, Shadows / 1996 Installation view of the floor of the exhibition. Photo: Courtesy of Diana Wood Conroy. https://static1.squarespace.com/static/5f8f7f3c1cc9636b63ebed3a/5fd04314cb6bfe602c4aa8a5/605d22a02c07602a6ce6eee9/1616722407301/ScKateGrahamLizDatMacL.jpg Images, Vestiges, Shadows / 1996 Guests at the opening of Images, Vestiges, Shadows, 1996. They are (L-R): Poet and writer Kate Lllewellyn, Grahame Bartholomew, visual artist Liz Jeneid, and visual artist and Artist in Residence Diana Wood Conroy. Photo: Diana Wood Conroy https://static1.squarespace.com/static/5f8f7f3c1cc9636b63ebed3a/5fd04314cb6bfe602c4aa8a5/5fd0431448ae4d1218fc036e/1616736099996/Vestiges+Traces+1996916719_small.jpg Images, Vestiges, Shadows / 1996 Installation view of the exhibition Images, Vestiges, Shadows at The MacLaurin Hall, The University of Sydney, 1996. The installation was designed by The exhibition was designed by John Sencszuk and Phillippa Webb. Photo: Courtesy of Diana Wood Conroy. https://static1.squarespace.com/static/5f8f7f3c1cc9636b63ebed3a/t/5fd2c8adeeb1f13c0531c4a0/1607649469870/img001.jpg Images, Vestiges, Shadows / 1996 - Read the exhibition catalogue Read the exhibition catalogue Images, Vestiges, Shadows, 1996, Diana Wood Conroy and J.R. Green. https://www.imagesandshadows.org/the-painted-wall-2001 daily 0.75 2021-03-26 https://static1.squarespace.com/static/5f8f7f3c1cc9636b63ebed3a/t/5fd2c3625cb14268c3812920/1607648122749/img013.jpg The Painted Wall / 2001 - Read the Catalogue Read the exhibition catalogue The Painted Wall: Passages in Archaeology, 2001, Diana Wood Conroy and J.R. Green. https://static1.squarespace.com/static/5f8f7f3c1cc9636b63ebed3a/5fd03f0b75f5e504856b9b98/5fd2ab798b4d410018ffe5a5/1616723663931/DWC_Theatre-of-Ariadne_2001.jpg The Painted Wall / 2001 - The Theatre of Ariadne Diana Wood Conroy, 2001. Gouache, gesso and graphite with Woonona earth pigment (coalwash) and tapestry fragment in linen, wool and silk, on canvas. 178 x 184 cm, Purchased for Flinders University Art Museum, SA. Photo: Courtesy of the artist. https://static1.squarespace.com/static/5f8f7f3c1cc9636b63ebed3a/5fd03f0b75f5e504856b9b98/5fd03ff15347e801a81aa84c/1616723700113/Texts+from+Painted+Wall.jpg The Painted Wall / 2001 - Exhibition texts From the exhibition ‘The Painted Wall: Passages in Archaeology’, Diana Wood Conroy, 2001. https://static1.squarespace.com/static/5f8f7f3c1cc9636b63ebed3a/5fd03f0b75f5e504856b9b98/5fd03f7c3364176a12560d43/1607483428309/The+Painted+Wall.jpg The Painted Wall / 2001 https://static1.squarespace.com/static/5f8f7f3c1cc9636b63ebed3a/5fd03f0b75f5e504856b9b98/5fd03f16a94600575877f91c/1616723691424/Painted+wallview+of+computer+copy.jpg The Painted Wall / 2001 On 21 June 2001, a Photoshop Panofile ‘movie’ was shown on a computer in the gallery, showing the extent of the excavation of the parodos wall and the position of the painting. From the exhibition ‘The Painted Wall: Passages in Archaeology’, Diana Wood Conroy, 2001. Photo: Courtesy of the artist. https://static1.squarespace.com/static/5f8f7f3c1cc9636b63ebed3a/5fd03f0b75f5e504856b9b98/5fd03f150c0c9b10ab01fe3c/1616723656513/2001PaintedW+Tools+.jpg The Painted Wall / 2001 - Tools for the Labyrinth Diana Wood Conroy, 2001. Gouache, gesso and Woonona earth pigment (coal wash) on canvas, 53 x 118 cm. Photo: Courtesy of the artist. https://static1.squarespace.com/static/5f8f7f3c1cc9636b63ebed3a/5fd03f0b75f5e504856b9b98/5fd03f0d12264b5dfdc63b13/1616723645254/01Painted+Wall+DWCEmblem+.jpg The Painted Wall / 2001 - Emblem: Ribbon Diana Wood Conroy, 2001. Gouache, gesso and Woonona earth pigment (coal wash) on canvas, 53 x 118 cm. Photo: Courtesy of the artist. https://static1.squarespace.com/static/5f8f7f3c1cc9636b63ebed3a/5fd03f0b75f5e504856b9b98/5fd03f0c26d54b3c06cc6447/1616723627468/2001+Painted+Wallview+overview.jpg The Painted Wall / 2001 - Installation view from the exhibition ‘The Painted Wall: Passages in Archaeology’, Diana Wood Conroy, 2001. Photo courtesy of the artist. https://www.imagesandshadows.org/out-of-oblivion-1998 daily 0.75 2021-03-26 https://static1.squarespace.com/static/5f8f7f3c1cc9636b63ebed3a/t/5fd2c758c2d0131f502434ab/1607649305436/img005.jpg Out of Oblivion / 1998 - Read the exhibition catalogue Read the exhibition catalogue Out of Oblivion: Paphos Theatre Excavations Cyprus, 1998, Diana Wood Conroy and J.R. Green. https://static1.squarespace.com/static/5f8f7f3c1cc9636b63ebed3a/5fd041eb5ec17a4c668bb3d3/605d70b67cbc9200d0f7d3d3/1616736455517/OoO_installation-1.jpg Out of Oblivion / 1998 Installation view of the exhibition Out of Oblivion, 1998. The gridded metal structure, based on the proportions of theatre architecture, held hundreds of transparent archaeological drawings and small artworks, lit to effect by theatre technician Dr Ian Mcgrath, who had worked in Paphos. Photo: Courtesy of Diana Wood Conroy. https://static1.squarespace.com/static/5f8f7f3c1cc9636b63ebed3a/5fd041eb5ec17a4c668bb3d3/605d6fcffd77c627b66c5324/1616736362871/OoO_installation-5.jpg Out of Oblivion / 1998 Installation view of the exhibition Out of Oblivion, 1998. The gridded metal structure, based on the proportions of theatre architecture, held hundreds of transparent archaeological drawings and small artworks, lit to effect by theatre technician Dr Ian Mcgrath, who had worked in Paphos. Photo: Courtesy of Diana Wood Conroy. https://static1.squarespace.com/static/5f8f7f3c1cc9636b63ebed3a/5fd041eb5ec17a4c668bb3d3/5fd041ec5347e801a81aef3a/1616736378871/Out+of+Oblivion916716_small.jpg Out of Oblivion / 1998 Installation view of the exhibition Out of Oblivion, held in the MacLaurin Hall at The University of Sydney, 1998. Photo: Courtesy of Diana Wood Conroy. https://static1.squarespace.com/static/5f8f7f3c1cc9636b63ebed3a/5fd041eb5ec17a4c668bb3d3/5fd041ecfc93c51d16d8e0ce/1616736390029/Out+of+Oblivion+1996-2000620.jpg Out of Oblivion / 1998 Installation view of the exhibition Out of Oblivion, held in the MacLaurin Hall at The University of Sydney, 1998. Photo: Courtesy of Diana Wood Conroy https://www.imagesandshadows.org/sightseeing-2019 daily 0.75 2021-04-06 https://static1.squarespace.com/static/5f8f7f3c1cc9636b63ebed3a/604182b58587ae53708ed8fa/6041845f071ab616be91290b/1617684904153/2019_RowanConroy_Sightseeing_12.jpg Sightseeing / 2019 Installation photograph of works from the solo exhibition Sighteeing, by Rowan Conroy, held at Goulburn Regional Art Gallery, 2019. Photo: Courtesy Goulburn Regional Art Gallery. https://static1.squarespace.com/static/5f8f7f3c1cc9636b63ebed3a/604182b58587ae53708ed8fa/6041845fd667d703e420244e/1617684893593/2019_RowanConroy_Sightseeing_9.jpg Sightseeing / 2019 Installation photograph of works from the solo exhibition Sighteeing, by Rowan Conroy, held at Goulburn Regional Art Gallery, 2019. Photo: Courtesy Goulburn Regional Art Gallery. https://static1.squarespace.com/static/5f8f7f3c1cc9636b63ebed3a/604182b58587ae53708ed8fa/604182c235290c2ba05a3cbe/1617684878498/26072019_RowanConroy_Sightseeing_Floortalk11.JPG Sightseeing / 2019 Floor talk by artist Rowan Conroy at his solo exhibition Sighteeing, held at Goulburn Regional Art Gallery, 2019. The works visible in the photo are by the artist. Photo: Courtesy Goulburn Regional Art Gallery. https://static1.squarespace.com/static/5f8f7f3c1cc9636b63ebed3a/604182b58587ae53708ed8fa/604182bf4ed0cf0c583244b9/1617684864486/26072019_RowanConroy_Sightseeing_Floortalk10.JPG Sightseeing / 2019 Floor talk by artist Rowan Conroy at his solo exhibition Sighteeing, held at Goulburn Regional Art Gallery, 2019. The works and video installation visible in the photo are by the artist. Photo: Courtesy Goulburn Regional Art Gallery. https://static1.squarespace.com/static/5f8f7f3c1cc9636b63ebed3a/604182b58587ae53708ed8fa/604182bb7ae35f02c0a98190/1617684828617/2019_RowanConroy_Sightseeing_18.jpg Sightseeing / 2019 Installation photograph of works from the solo exhibition Sighteeing, by Rowan Conroy, held at Goulburn Regional Art Gallery, 2019. These two works were made by Conroy at the Paphos Theatre Archaeological Project in 2006. Photo: Courtesy Goulburn Regional Art Gallery. https://static1.squarespace.com/static/5f8f7f3c1cc9636b63ebed3a/604182b58587ae53708ed8fa/604182b699863e36d6d967df/1617684854382/2019_RowanConroy_Sightseeing_10.jpg Sightseeing / 2019 Installation photograph of works from the solo exhibition Sighteeing, by Rowan Conroy, held at Goulburn Regional Art Gallery, 2019. Photo: Courtesy Goulburn Regional Art Gallery. https://static1.squarespace.com/static/5f8f7f3c1cc9636b63ebed3a/604182b58587ae53708ed8fa/604182b6ef754e3c31e767e6/1617684675101/2019_RowanConroy_Sightseeing_1.jpg Sightseeing / 2019 Installation photograph of works from the solo exhibition Sighteeing, by Rowan Conroy, held at Goulburn Regional Art Gallery, 2019. Photo: Courtesy Goulburn Regional Art Gallery. https://www.imagesandshadows.org/diane-epoff-goodman-statement daily 0.75 2021-03-24 https://static1.squarespace.com/static/5f8f7f3c1cc9636b63ebed3a/t/605938a19a543042feb51480/1616544494148/DianeEpoff%28Goodman%29MapOfPaphosTheatre2007_30x20in_sml.jpg Diane Epoff Goodman Diane Epoff Goodman, Digital map of the Paphos Theatre 2007. https://static1.squarespace.com/static/5f8f7f3c1cc9636b63ebed3a/60592deb470bab3e406d3004/6059312f5025bd3f593af6a6/1616462471884/DEpoffMapDetail_Cavea_sml.jpg Diane Epoff Goodman Map of the Paphos Theatre 2007, Detail, Cavea. https://static1.squarespace.com/static/5f8f7f3c1cc9636b63ebed3a/60592deb470bab3e406d3004/60592ffe9fb7f95bb98a0fc0/1616462541232/SonicArchitecturesExhibtion_DEpoff+with+Map+sections_2006.jpg Diane Epoff Goodman Installation view from the exhibition Sonic Architectures, held at the FCA Gallery, Faculty of Creative Arts, University of Wollongong, 2006. View showing the artist Diane Epoff Goodman in the gallery with her work Map of the Paphos Theatre Excavation, with Sections, 2006. https://static1.squarespace.com/static/5f8f7f3c1cc9636b63ebed3a/60592deb470bab3e406d3004/60592e3fe1df88601737a63c/1616462373718/DianeEpoff%28Goodman%29MapOfPaphosTheatre2007_30x20in_sml.jpg Diane Epoff Goodman Map of the Paphos Theatre 2007. https://static1.squarespace.com/static/5f8f7f3c1cc9636b63ebed3a/60592deb470bab3e406d3004/60592e389a543042feb42799/1616462447445/DEpoffMapDetail_UpperWestern+Entry_sml.jpg Diane Epoff Goodman Map of the Paphos Theatre 2007, Detail, Upper Western Entry. https://static1.squarespace.com/static/5f8f7f3c1cc9636b63ebed3a/60592deb470bab3e406d3004/60592e3707aaf6279dd7355c/1616544283661/DEpoffMapDetail_RomanTunnel_sml.jpg Diane Epoff Goodman - DIANE EPOFF GOODMAN / This work considers digital photography as an innovative tool that invokes a partnership between scientific (outer) and artistic (inner) modes of enquiry to reveal new ways of reading site, remembering place and interpreting presence. Digital photographic processes are both systematic and fluid, facilitate play, improvisation and new ways of perceiving the world. The work explores the capacity to stitch, layer, blend, variegate, transform and re-contextualise photographic images... READ MORE Map of the Paphos Theatre 2007, Detail, Roman Tunnel. https://static1.squarespace.com/static/5f8f7f3c1cc9636b63ebed3a/60592deb470bab3e406d3004/60592e29e634277d668ff2f6/1616462436497/DEpoffMapDetail_Orchestra_sml.jpg Diane Epoff Goodman Map of the Paphos Theatre 2007, Detail, Orchestra. https://static1.squarespace.com/static/5f8f7f3c1cc9636b63ebed3a/60592deb470bab3e406d3004/60592e2849fecc4ad3a642d9/1616462424220/DEpoffMapDetail_EasternParados_1_sml.jpg Diane Epoff Goodman Map of the Paphos Theatre 2007, Detail, Eastern Parados. https://static1.squarespace.com/static/5f8f7f3c1cc9636b63ebed3a/60592deb470bab3e406d3004/60592e2025ec5a0b31a1e02b/1616462461887/DepoffMap_Detail_sml.jpg Diane Epoff Goodman Map of the Paphos Theatre 2007, Detail. https://static1.squarespace.com/static/5f8f7f3c1cc9636b63ebed3a/60592deb470bab3e406d3004/60592e18e634277d668ff289/1616459076605/DEpoff_Day1Paphos+Theatre_2006_sml.jpg Diane Epoff Goodman Day 1, Paphos Theatre, 2006. https://static1.squarespace.com/static/5f8f7f3c1cc9636b63ebed3a/60592deb470bab3e406d3004/60592e1725ec5a0b31a1e002/1616459098728/DEpoff_PaphosTheatre_2006_sml.jpg Diane Epoff Goodman The Paphos Theatre, 2006. https://www.imagesandshadows.org/response-to-cyprus-2013 daily 0.75 2021-03-30 https://static1.squarespace.com/static/5f8f7f3c1cc9636b63ebed3a/605aa8dde4c5482fbc46b25e/606275c57d3b6b148abe0d5e/1617065930166/Screen+Shot+2021-03-30+at+11.49.48+am.png Response to Cyprus / 2013 Detail of Lawrence Wallen’s work excavationsite: water, from the 2013 exhibition Response to Cyprus, hosted by the Australian Archaeological Institute at Athens (AAIA) at the Centre of Classical and Near Eastern Studies of Australia (CCANESA). Photo: Courtesy of Lawrence Wallen. https://static1.squarespace.com/static/5f8f7f3c1cc9636b63ebed3a/605aa8dde4c5482fbc46b25e/606269cb93a0890a03a3b2fe/1617064442615/img_1077_9266580262_o.jpg Response to Cyprus / 2013 View of the opening of Response to Cyprus, 10 July 2013, hosted by the Australian Archaeological Institute at Athens (AAIA) at the Centre of Classical and Near Eastern Studies of Australia (CCANESA). Photo: Courtesy of the AAIA. https://static1.squarespace.com/static/5f8f7f3c1cc9636b63ebed3a/605aa8dde4c5482fbc46b25e/606269c6ca2c995f65590f8b/1617064433588/img_1076_9266579568_o.jpg Response to Cyprus / 2013 View of the opening of Response to Cyprus, 10 July 2013, hosted by the Australian Archaeological Institute at Athens (AAIA) at the Centre of Classical and Near Eastern Studies of Australia (CCANESA). Photo: Courtesy of the AAIA. https://static1.squarespace.com/static/5f8f7f3c1cc9636b63ebed3a/605aa8dde4c5482fbc46b25e/606269be7d3b6b148abd106a/1617079657179/img_1075_9263804017_o.jpg Response to Cyprus / 2013 Vew of the opening of Response to Cyprus, 10 July 2013, hosted by the Australian Archaeological Institute at Athens (AAIA) at the Centre of Classical and Near Eastern Studies of Australia (CCANESA). Works by Derek Kreckler are visible in the background. Photo: Courtesy of the AAIA. https://static1.squarespace.com/static/5f8f7f3c1cc9636b63ebed3a/605aa8dde4c5482fbc46b25e/606269bd8a9b3f2944e539ed/1617079540939/img_1073_9263803457_o.jpg Response to Cyprus / 2013 The late Professor Alexander Cambitoglou speaking at the opening of Response to Cyprus, 10 July 2013, hosted by the Australian Archaeological Institute at Athens (AAIA) at the Centre of Classical and Near Eastern Studies of Australia (CCANESA). Works by Derek Kreckler are visible in the background. Photo: Courtesy of the AAIA. https://static1.squarespace.com/static/5f8f7f3c1cc9636b63ebed3a/605aa8dde4c5482fbc46b25e/606269afa86e8a2d9f9bf372/1617079591091/img_1071_9263802797_o.jpg Response to Cyprus / 2013 Andreas Hadjithemistos, Consul of the High Commission of Cyprus in Canberra, speaking at the opening of Response to Cyprus, 10 July 2013. The event was hosted by the Australian Archaeological Institute at Athens (AAIA) at the Centre of Classical and Near Eastern Studies of Australia (CCANESA). Works by Derek Kreckler are visible in the background. Photo: Courtesy of the AAIA. https://static1.squarespace.com/static/5f8f7f3c1cc9636b63ebed3a/605aa8dde4c5482fbc46b25e/606269af88bf3c3f148d037e/1617079609617/img_1070_9263802113_o.jpg Response to Cyprus / 2013 Andreas Hadjithemistos, Consul of the High Commission of Cyprus in Canberra, speaking at the opening of Response to Cyprus, 10 July 2013. The event was hosted by the Australian Archaeological Institute at Athens (AAIA) at the Centre of Classical and Near Eastern Studies of Australia (CCANESA). Works by Derek Kreckler are visible in the background. Photo: Courtesy of the AAIA. https://static1.squarespace.com/static/5f8f7f3c1cc9636b63ebed3a/605aa8dde4c5482fbc46b25e/6062697eca2c995f65590be3/1617064573466/img_1069_9263801651_o.jpg Response to Cyprus / 2013 View of the opening of Response to Cyprus, 10 July 2013, hosted by the Australian Archaeological Institute at Athens (AAIA) at the Centre of Classical and Near Eastern Studies of Australia (CCANESA). Photo: Courtesy of the AAIA. https://static1.squarespace.com/static/5f8f7f3c1cc9636b63ebed3a/605aa8dde4c5482fbc46b25e/60626973f9ff955da3b1bfdd/1617079635865/img_1068_9266576124_o.jpg Response to Cyprus / 2013 Prof. Diana Wood Conroy speaking at the opening of Response to Cyprus, 10 July 2013. The event was hosted by the Australian Archaeological Institute at Athens (AAIA) at the Centre of Classical and Near Eastern Studies of Australia (CCANESA). Works by Derek Kreckler are visible in the background. Photo: Courtesy of the AAIA. https://static1.squarespace.com/static/5f8f7f3c1cc9636b63ebed3a/605aa8dde4c5482fbc46b25e/60626970fa3fea0bded4d984/1617079624672/img_1062_9263800115_o.jpg Response to Cyprus / 2013 Prof. Diana Wood Conroy speaking at the opening of Response to Cyprus, 10 July 2013. The event was hosted by the Australian Archaeological Institute at Athens (AAIA) at the Centre of Classical and Near Eastern Studies of Australia (CCANESA). Works by Derek Kreckler are visible in the background. Photo: Courtesy of the AAIA. https://static1.squarespace.com/static/5f8f7f3c1cc9636b63ebed3a/605aa8dde4c5482fbc46b25e/606269610fe2414f25537ee3/1617079579032/img_1061_9266574458_o.jpg Response to Cyprus / 2013 Dr. Craig Barker speaking at the opening of Response to Cyprus, 10 July 2013, hosted by the Australian Archaeological Institute at Athens (AAIA) at the Centre of Classical and Near Eastern Studies of Australia (CCANESA). Works by Derek Kreckler are visible in the background. Photo: Courtesy of the AAIA. https://static1.squarespace.com/static/5f8f7f3c1cc9636b63ebed3a/605aa8dde4c5482fbc46b25e/6062695efcbdc72a52dec643/1617079553704/img_1059_9263799141_o.jpg Response to Cyprus / 2013 Dr. Craig Barker speaking at the opening of Response to Cyprus, 10 July 2013, hosted by the Australian Archaeological Institute at Athens (AAIA) at the Centre of Classical and Near Eastern Studies of Australia (CCANESA). Works by Derek Kreckler are visible in the background. Photo: Courtesy of the AAIA. https://static1.squarespace.com/static/5f8f7f3c1cc9636b63ebed3a/605aa8dde4c5482fbc46b25e/6062695746de4e731ccefd86/1617079565485/img_1058_9263798603_o.jpg Response to Cyprus / 2013 Dr. Craig Barker speaking at the opening of Response to Cyprus, 10 July 2013, hosted by the Australian Archaeological Institute at Athens (AAIA) at the Centre of Classical and Near Eastern Studies of Australia (CCANESA). Works by Derek Kreckler are visible in the background. Photo: Courtesy of the AAIA. https://static1.squarespace.com/static/5f8f7f3c1cc9636b63ebed3a/605aa8dde4c5482fbc46b25e/6062694d3f844f5eb8c7250e/1617079518997/img_1055_9266572740_o.jpg Response to Cyprus / 2013 The late Professor Alexander Cambitoglou speaking at the opening of Response to Cyprus, 10 July 2013, hosted by the Australian Archaeological Institute at Athens (AAIA) at the Centre of Classical and Near Eastern Studies of Australia (CCANESA). Works by Derek Kreckler are visible in the background. Photo: Courtesy of the AAIA. https://static1.squarespace.com/static/5f8f7f3c1cc9636b63ebed3a/605aa8dde4c5482fbc46b25e/606269480e997e4e0ee94e79/1617063690240/img_1051_9266572220_o.jpg Response to Cyprus / 2013 Andreas Hadjithemistos, Consul of the High Commission of Cyprus in Canberra, at the opening of Response to Cyprus, 10 July 2013. The event was hosted by the Australian Archaeological Institute at Athens (AAIA) at the Centre of Classical and Near Eastern Studies of Australia (CCANESA). Photo: Courtesy of the AAIA. https://static1.squarespace.com/static/5f8f7f3c1cc9636b63ebed3a/605aa8dde4c5482fbc46b25e/6062694793a0890a03a3abcc/1617064585414/img_1050_9266571572_o.jpg Response to Cyprus / 2013 View of the opening of Response to Cyprus, 10 July 2013, hosted by the Australian Archaeological Institute at Athens (AAIA) at the Centre of Classical and Near Eastern Studies of Australia (CCANESA). Photo: Courtesy of the AAIA. https://static1.squarespace.com/static/5f8f7f3c1cc9636b63ebed3a/605aa8dde4c5482fbc46b25e/606269347d3b6b148abd0237/1617063888973/img_1048_9266570902_o.jpg Response to Cyprus / 2013 From left: the late Prof. Alexander Cambitoglou speaking with Dr. Craig Barker at the opening of Response to Cyprus, 10 July 2013. The event was hosted by the Australian Archaeological Institute at Athens (AAIA) at the Centre of Classical and Near Eastern Studies of Australia (CCANESA). Photo: Courtesy of the AAIA. https://static1.squarespace.com/static/5f8f7f3c1cc9636b63ebed3a/605aa8dde4c5482fbc46b25e/606269340e9c196a6b948398/1617063903261/img_1047_9266570250_o.jpg Response to Cyprus / 2013 From left: the late Prof. Alexander Cambitoglou speaking with Dr. Craig Barker at the opening of Response to Cyprus, 10 July 2013. The event was hosted by the Australian Archaeological Institute at Athens (AAIA) at the Centre of Classical and Near Eastern Studies of Australia (CCANESA). Photo: Courtesy of the AAIA. https://static1.squarespace.com/static/5f8f7f3c1cc9636b63ebed3a/605aa8dde4c5482fbc46b25e/6062690a0fe2414f25537c29/1617064603179/img_1044_9266569726_o.jpg Response to Cyprus / 2013 View of the opening of Response to Cyprus, 10 July 2013, hosted by the Australian Archaeological Institute at Athens (AAIA) at the Centre of Classical and Near Eastern Studies of Australia (CCANESA). Photo: Courtesy of the AAIA. https://static1.squarespace.com/static/5f8f7f3c1cc9636b63ebed3a/605aa8dde4c5482fbc46b25e/606268ffd9e99375fe7ba2e1/1617065909864/img_1043_9263794167_o.jpg Response to Cyprus / 2013 View of the opening of Response to Cyprus, 10 July 2013, hosted by the Australian Archaeological Institute at Athens (AAIA) at the Centre of Classical and Near Eastern Studies of Australia (CCANESA). Lawrence Wallen’s work excavationsite: water is shown on the far right. Photo: Courtesy of the AAIA. https://static1.squarespace.com/static/5f8f7f3c1cc9636b63ebed3a/605aa8dde4c5482fbc46b25e/606268f79702ab44cdb036b5/1617681287824/img_1042_9263793651_o.jpg Response to Cyprus / 2013 View of the opening of Response to Cyprus, 10 July 2013, hosted by the Australian Archaeological Institute at Athens (AAIA) at the Centre of Classical and Near Eastern Studies of Australia (CCANESA). Work by Jacky Redgate shown on the left wall. Photo: Courtesy of the AAIA. https://static1.squarespace.com/static/5f8f7f3c1cc9636b63ebed3a/605aa8dde4c5482fbc46b25e/606268efbbf3a647b2e078bd/1617063923638/img_1040_9263792987_o.jpg Response to Cyprus / 2013 From left: the late Prof. Alexander Cambitoglou with Dr. John Tidmarsh at the opening of Response to Cyprus, 10 July 2013. The event was hosted by the Australian Archaeological Institute at Athens (AAIA) at the Centre of Classical and Near Eastern Studies of Australia (CCANESA). Photo: Courtesy of the AAIA. https://static1.squarespace.com/static/5f8f7f3c1cc9636b63ebed3a/605aa8dde4c5482fbc46b25e/606268ec273b47742c45d046/1617079047578/img_1032_9266567462_o.jpg Response to Cyprus / 2013 View of the opening of Response to Cyprus, 10 July 2013, hosted by the Australian Archaeological Institute at Athens (AAIA) at the Centre of Classical and Near Eastern Studies of Australia (CCANESA). Work by Derek Kreckler is shown on the rear wall. Photo: Courtesy of the AAIA. https://static1.squarespace.com/static/5f8f7f3c1cc9636b63ebed3a/605aa8dde4c5482fbc46b25e/606268e6003bd40e764f42ff/1617063618842/img_1031_9266566930_o.jpg Response to Cyprus / 2013 From left: Prof. Diana Wood Conroy; Andreas Hadjithemistos, Consul of the High Commission of Cyprus in Canberra; and the late Prof. Alexander Cambitoglou together at the opening of Response to Cyprus, 10 July 2013. The event was hosted by the Australian Archaeological Institute at Athens (AAIA) at the Centre of Classical and Near Eastern Studies of Australia (CCANESA). Photo: Courtesy of the AAIA. https://static1.squarespace.com/static/5f8f7f3c1cc9636b63ebed3a/605aa8dde4c5482fbc46b25e/606268e343bc1f2335c93a0e/1617079076035/img_1029_9266566378_o.jpg Response to Cyprus / 2013 View of the opening of Response to Cyprus, 10 July 2013, hosted by the Australian Archaeological Institute at Athens (AAIA) at the Centre of Classical and Near Eastern Studies of Australia (CCANESA). Work by Dereck Kreckler is shown on the rear wall. Photo: Courtesy of the AAIA. https://static1.squarespace.com/static/5f8f7f3c1cc9636b63ebed3a/605aa8dde4c5482fbc46b25e/606268e27d3b6b148abcfbc0/1617065856048/img_1022_9266565864_o.jpg Response to Cyprus / 2013 Installation view of works by Derek Kreckler from the exhibition Response to Cyprus, 10 July 2013. The event was hosted by the Australian Archaeological Institute at Athens (AAIA) at the Centre of Classical and Near Eastern Studies of Australia (CCANESA). Photo: Courtesy of the AAIA. https://static1.squarespace.com/static/5f8f7f3c1cc9636b63ebed3a/605aa8dde4c5482fbc46b25e/606268db2a9aa9501fca8c01/1617065975807/img_1013_9266564658_o.jpg Response to Cyprus / 2013 Derek Kreckler, detail of the work Shadowlands, 2011. From the exhibition Response to Cyprus, 10 July 2013. The event was hosted by the Australian Archaeological Institute at Athens (AAIA) at the Centre of Classical and Near Eastern Studies of Australia (CCANESA). Photo: Courtesy of the AAIA. https://static1.squarespace.com/static/5f8f7f3c1cc9636b63ebed3a/605aa8dde4c5482fbc46b25e/606268dbe6821e7a97e044b6/1617079381369/img_1014_9266565210_o.jpg Response to Cyprus / 2013 Derek Kreckler, detail of the work The Labrynth Mosaic, The House of Theseus, Paphos, 2010-2011, from the exhibition Response to Cyprus, 10 July 2013. The event was hosted by the Australian Archaeological Institute at Athens (AAIA) at the Centre of Classical and Near Eastern Studies of Australia (CCANESA). Photo: Courtesy of the AAIA. https://static1.squarespace.com/static/5f8f7f3c1cc9636b63ebed3a/t/605aa7dec9f2890ab18ce975/1616554867156/Screen+Shot+2021-03-24+at+1.45.28+pm.png Response to Cyprus / 2013 - Read curator Craig Barker’s article about this exhibition here The Art of Archaeology: Response to Cyprus, 2013, Australian Archaeological Institute at Athens Bulletin 10: p.34. https://www.imagesandshadows.org/barry-conyngham daily 0.75 2021-07-20 https://static1.squarespace.com/static/5f8f7f3c1cc9636b63ebed3a/t/60f4f02adb752c5e49bed298/1626762208766/IMG_0673.jpeg Barry Conyngham - Make it stand out Paphos Theatre Archaeological Project team photo, 2019. Photo: Diana Wood Conroy.