Through my recent research, and its fragile representations, I propose the possibility of comprehending the relationship between material landscapes and the immaterial and in-visible spiritual, psychological and intellectual landscapes created through the artist’s gaze. This desired conjunction forms the conceptual and visual basis of my recent work, arguing that the particular and unique alignment of material and immaterial landscapes form a sequence of dual spaces…
Co-located structures (2017), Charcoal Tempera on Paper, 598cm x 63cm. From the exhibition Travellers from Australia, exhibited at the Pailia Ilektriki, Ktima Pafos, Cyprus, 2-15 October, as part of the official program of the Pafos2017 European Capital of Culture. Photo: Shelley Webster 2017.
Detail, Co-located structures (2017), Charcoal Tempera on Paper, 598cm x 63cm.
From the exhibition Travellers from Australia, exhibited at the Pailia Ilektriki, Ktima Pafos, Cyprus, 2-15 October, as part of the official program of the Pafos2017 European Capital of Culture. Photo: Shelley Webster, 2017.
Detail, Co-located structures (2017), Charcoal Tempera on Paper, 598cm x 63cm.
From the exhibition Travellers from Australia, exhibited at the Pailia Ilektriki, Ktima Pafos, Cyprus, 2-15 October, as part of the official program of the Pafos2017 European Capital of Culture. Photo: Shelley Webster, 2017.
Santa Maria dei Miracoli (1675) and Santa Maria di Montesanto (1681) on Piazza del Popolo in Rome, 2015, photograph.
Staging landscape #12 (2011), ink on paper, 500 x 240 cm, UTS Gallery, Sydney.
without continental drift (2017), charcoal on paper, 299 x 63 cm. Installation view, On Typographies, Kensington Contemporary, Sydney, 2011.
without continental drift (2017), charcoal on paper, 299 x 63 cm. Installation view, On Typographies, Kensington Contemporary, Sydney, 2011.
without continental drift (2017), charcoal on paper, 299 x 63 cm. Installation view, On Typographies, Kensington Contemporary, Sydney, 2011.